Surrealism and PaintingHarper & Row, 1972 - 415 pagina's |
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Pagina 44
... elements , since they perform the necessary function of revealing the occult meaning of other elements . No doubt he considers these ' direct ' elements valid as a standard of comparison , quite naturally refusing to judge anything or ...
... elements , since they perform the necessary function of revealing the occult meaning of other elements . No doubt he considers these ' direct ' elements valid as a standard of comparison , quite naturally refusing to judge anything or ...
Pagina 229
... elements con- sidered hitherto to be completely disparate , has only to be brought into being and given visible texture for it to be able to call upon the elements of another order , coming from within the human being and transcending ...
... elements con- sidered hitherto to be completely disparate , has only to be brought into being and given visible texture for it to be able to call upon the elements of another order , coming from within the human being and transcending ...
Pagina 253
... elements which form part of every human experience.2 We owe her a tremendous debt for having reintroduced us into the very centre of the following essential truth : the success of a work depends upon the inner state ( presuming that the ...
... elements which form part of every human experience.2 We owe her a tremendous debt for having reintroduced us into the very centre of the following essential truth : the success of a work depends upon the inner state ( presuming that the ...
Inhoudsopgave
SURREALISM AND PAINTING | 1 |
ARTISTIC GENESIS AND PERSPECTIVE | 49 |
White rose bunch 1934 | 121 |
Copyright | |
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absolutely achieved André Breton André Masson animal Apollinaire appearance artistic aspect Bachelors beautiful become bird Bride Stripped century Chirico colour considered Crépin Daumesnil drawing dream elements Enrico Baj entirely everything exhibition existence expression Exquisite Corpse external eyes fact feel figures Formerly coll France Francis Picabia Galerie Gaulish coins glass Gustave Moreau hand Henri Rousseau human idea imagination increasingly inspiration Jacques Hérold Joan Miró Kandinsky landscape Lautréamont less light magical Marcel Duchamp Matta Max Ernst Max Walter Svanberg means mental mind mysterious nature never night objects Pablo Picasso painters painting Paris particular perfectly Photo Ségalat picture Pierre plastic possible present pure remains René Magritte revealed Rimbaud Salvador Dali sculpture secret sense shadow simply surface surrealism surrealist symbolic things thought tion Toyen Victor Brauner vision visual whole Wifredo Lam Wolfgang Paalen woman words York Yves Tanguy