Surrealism and PaintingHarper & Row, 1972 - 415 pagina's |
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Pagina 108
... external things other external things in which the resistance of the inner being is both surrendered and enclosed ? In my view , Picasso is so great simply because having found himself , as a result , constantly in a hands , these ...
... external things other external things in which the resistance of the inner being is both surrendered and enclosed ? In my view , Picasso is so great simply because having found himself , as a result , constantly in a hands , these ...
Pagina 190
... external and not a movement of the external on the surface . ' To express the world's laceration , one must have known the whole laceration within the confines of one's own self . And to give the world , beyond this laceration , some ...
... external and not a movement of the external on the surface . ' To express the world's laceration , one must have known the whole laceration within the confines of one's own self . And to give the world , beyond this laceration , some ...
Pagina 344
... external object , even when submitted to a genuinely original or sensitive personal interpretation , should appear laughable as a point of reference . The virgin canvas , reacting to the menace suspended over the heads of mankind ...
... external object , even when submitted to a genuinely original or sensitive personal interpretation , should appear laughable as a point of reference . The virgin canvas , reacting to the menace suspended over the heads of mankind ...
Inhoudsopgave
SURREALISM AND PAINTING | 1 |
ARTISTIC GENESIS AND PERSPECTIVE | 49 |
White rose bunch 1934 | 121 |
Copyright | |
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absolutely achieved André Breton André Masson animal Apollinaire appearance artistic aspect Bachelors beautiful become bird Bride Stripped century Chirico colour considered Crépin Daumesnil drawing dream elements Enrico Baj entirely everything exhibition existence expression Exquisite Corpse external eyes fact feel figures Formerly coll France Francis Picabia Galerie Gaulish coins glass Gustave Moreau hand Henri Rousseau human idea imagination increasingly inspiration Jacques Hérold Joan Miró Kandinsky landscape Lautréamont less light magical Marcel Duchamp Matta Max Ernst Max Walter Svanberg means mental mind mysterious nature never night objects Pablo Picasso painters painting Paris particular perfectly Photo Ségalat picture Pierre plastic possible present pure remains René Magritte revealed Rimbaud Salvador Dali sculpture secret sense shadow simply surface surrealism surrealist symbolic things thought tion Toyen Victor Brauner vision visual whole Wifredo Lam Wolfgang Paalen woman words York Yves Tanguy