Surrealism and PaintingHarper & Row, 1972 - 415 pagina's |
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Pagina 104
... fact is that , for anyone whose chief concern is to enter the world of concrete matter so as to explore it , neither blue nor red can be envisaged as other than particular states , almost negligible in their particularity , of colour ...
... fact is that , for anyone whose chief concern is to enter the world of concrete matter so as to explore it , neither blue nor red can be envisaged as other than particular states , almost negligible in their particularity , of colour ...
Pagina 351
... fact that not a single one of Chagall's first great lyrical constructions remains in France ? Is it not shameful that we have had to wait until the last few months to have revealed to us at last , eight years after his death , paintings ...
... fact that not a single one of Chagall's first great lyrical constructions remains in France ? Is it not shameful that we have had to wait until the last few months to have revealed to us at last , eight years after his death , paintings ...
Pagina 370
... fact that I did not remember ever having seen a similar object and that I could not imagine what its significance might be , since it did not occur to me im- mediately that it was in fact a delineation of the triskelion . It was knocked ...
... fact that I did not remember ever having seen a similar object and that I could not imagine what its significance might be , since it did not occur to me im- mediately that it was in fact a delineation of the triskelion . It was knocked ...
Inhoudsopgave
SURREALISM AND PAINTING | 1 |
ARTISTIC GENESIS AND PERSPECTIVE | 49 |
White rose bunch 1934 | 121 |
Copyright | |
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Veelvoorkomende woorden en zinsdelen
absolutely achieved André Breton André Masson animal Apollinaire appearance artistic aspect Bachelors beautiful become bird Bride Stripped century Chirico colour considered Crépin Daumesnil drawing dream elements Enrico Baj entirely everything exhibition existence expression Exquisite Corpse external eyes fact feel figures Formerly coll France Francis Picabia Galerie Gaulish coins glass Gustave Moreau hand Henri Rousseau human idea imagination increasingly inspiration Jacques Hérold Joan Miró Kandinsky landscape Lautréamont less light magical Marcel Duchamp Matta Max Ernst Max Walter Svanberg means mental mind mysterious nature never night objects Pablo Picasso painters painting Paris particular perfectly Photo Ségalat picture Pierre plastic possible present pure remains René Magritte revealed Rimbaud Salvador Dali sculpture secret sense shadow simply surface surrealism surrealist symbolic things thought tion Toyen Victor Brauner vision visual whole Wifredo Lam Wolfgang Paalen woman words York Yves Tanguy