Surrealism and PaintingHarper & Row, 1972 - 415 pagina's |
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Pagina 73
... movement - not rep- resented movement , any longer , but real movement it is miraculously restored to life in its most concrete form and conveys to us with equal felicity the evolutions of the celestial bodies , the trembling of leaves ...
... movement - not rep- resented movement , any longer , but real movement it is miraculously restored to life in its most concrete form and conveys to us with equal felicity the evolutions of the celestial bodies , the trembling of leaves ...
Pagina 190
... movement of the internal towards the external and not a movement of the external on the surface . ' To express the world's laceration , one must have known the whole laceration within the confines of one's own self . And to give the ...
... movement of the internal towards the external and not a movement of the external on the surface . ' To express the world's laceration , one must have known the whole laceration within the confines of one's own self . And to give the ...
Pagina 195
... movement , by which I mean the determinedly innovating movement that is immune from such contagion , a certain malaise can also be felt . As an example , surrealist painting ( properly so called ) is still faced by problems which one ...
... movement , by which I mean the determinedly innovating movement that is immune from such contagion , a certain malaise can also be felt . As an example , surrealist painting ( properly so called ) is still faced by problems which one ...
Inhoudsopgave
SURREALISM AND PAINTING | 1 |
ARTISTIC GENESIS AND PERSPECTIVE | 49 |
White rose bunch 1934 | 121 |
Copyright | |
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Veelvoorkomende woorden en zinsdelen
absolutely achieved André Breton André Masson animal Apollinaire appearance artistic aspect Bachelors beautiful become bird Bride Stripped century Chirico colour considered Crépin Daumesnil drawing dream elements Enrico Baj entirely everything exhibition existence expression Exquisite Corpse external eyes fact feel figures Formerly coll France Francis Picabia Galerie Gaulish coins glass Gustave Moreau hand Henri Rousseau human idea imagination increasingly inspiration Jacques Hérold Joan Miró Kandinsky landscape Lautréamont less light magical Marcel Duchamp Matta Max Ernst Max Walter Svanberg means mental mind mysterious nature never night objects Pablo Picasso painters painting Paris particular perfectly Photo Ségalat picture Pierre plastic possible present pure remains René Magritte revealed Rimbaud Salvador Dali sculpture secret sense shadow simply surface surrealism surrealist symbolic things thought tion Toyen Victor Brauner vision visual whole Wifredo Lam Wolfgang Paalen woman words York Yves Tanguy