Surrealism and PaintingHarper & Row, 1972 - 415 pagina's |
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Pagina 11
... reality by lending himself to this ultimate falsehood of flowers . ' Reality ' is in the fingers of that woman who used to blow a dandelion on the first page of certain dictionaries . But one day Braque took pity on reality . I cannot ...
... reality by lending himself to this ultimate falsehood of flowers . ' Reality ' is in the fingers of that woman who used to blow a dandelion on the first page of certain dictionaries . But one day Braque took pity on reality . I cannot ...
Pagina 197
... reality of accidentals , the non - reality of parts of a whole , which for the artist implies the necessity of cherishing the anecdotal element like the apple of his eye . Once passions have calmed down , we may hope that agreement can ...
... reality of accidentals , the non - reality of parts of a whole , which for the artist implies the necessity of cherishing the anecdotal element like the apple of his eye . Once passions have calmed down , we may hope that agreement can ...
Pagina 279
... reality , what is reality as a concept , what is the prim- ordial metaphysical function of the real ? Essentially it is the conviction that an entity is more than the sum of its immediate data , or , to put it in plainer terms , it is ...
... reality , what is reality as a concept , what is the prim- ordial metaphysical function of the real ? Essentially it is the conviction that an entity is more than the sum of its immediate data , or , to put it in plainer terms , it is ...
Inhoudsopgave
SURREALISM AND PAINTING | 1 |
ARTISTIC GENESIS AND PERSPECTIVE | 49 |
White rose bunch 1934 | 121 |
Copyright | |
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absolutely achieved André Breton André Masson animal Apollinaire appearance artistic aspect Bachelors beautiful become bird Bride Stripped century Chirico colour considered Crépin Daumesnil drawing dream elements Enrico Baj entirely everything exhibition existence expression Exquisite Corpse external eyes fact feel figures Formerly coll France Francis Picabia Galerie Gaulish coins glass Gustave Moreau hand Henri Rousseau human idea imagination increasingly inspiration Jacques Hérold Joan Miró Kandinsky landscape Lautréamont less light magical Marcel Duchamp Matta Max Ernst Max Walter Svanberg means mental mind mysterious nature never night objects Pablo Picasso painters painting Paris particular perfectly Photo Ségalat picture Pierre plastic possible present pure remains René Magritte revealed Rimbaud Salvador Dali sculpture secret sense shadow simply surface surrealism surrealist symbolic things thought tion Toyen Victor Brauner vision visual whole Wifredo Lam Wolfgang Paalen woman words York Yves Tanguy