Surrealism and PaintingHarper & Row, 1972 - 415 pagina's |
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Pagina 26
... reason as a naked woman throwing her mirror into a well . There is no doubt that these elements , seized in this room , in the country , on the floor of a factory workshop , or in the sea , are not entirely at the mercy of the human ...
... reason as a naked woman throwing her mirror into a well . There is no doubt that these elements , seized in this room , in the country , on the floor of a factory workshop , or in the sea , are not entirely at the mercy of the human ...
Pagina 36
... reasons , do not stray far from home . Such people are entirely wrapped up in their small creative efforts ... reason why he could perhaps pass for the most ' surrealist ' of us all . But how far we are from this ' chemistry of ...
... reasons , do not stray far from home . Such people are entirely wrapped up in their small creative efforts ... reason why he could perhaps pass for the most ' surrealist ' of us all . But how far we are from this ' chemistry of ...
Pagina 122
... reason , this art could legitimately claim to possess the highest social value , because it would be perfectly capable on its own of compensating us on the social level for the presumptuousness of an art supposedly of revolutionary pro ...
... reason , this art could legitimately claim to possess the highest social value , because it would be perfectly capable on its own of compensating us on the social level for the presumptuousness of an art supposedly of revolutionary pro ...
Inhoudsopgave
SURREALISM AND PAINTING | 1 |
ARTISTIC GENESIS AND PERSPECTIVE | 49 |
White rose bunch 1934 | 121 |
Copyright | |
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absolutely achieved André Breton André Masson animal Apollinaire appearance artistic aspect Bachelors beautiful become bird Bride Stripped century Chirico colour considered Crépin Daumesnil drawing dream elements Enrico Baj entirely everything exhibition existence expression Exquisite Corpse external eyes fact feel figures Formerly coll France Francis Picabia Galerie Gaulish coins glass Gustave Moreau hand Henri Rousseau human idea imagination increasingly inspiration Jacques Hérold Joan Miró Kandinsky landscape Lautréamont less light magical Marcel Duchamp Matta Max Ernst Max Walter Svanberg means mental mind mysterious nature never night objects Pablo Picasso painters painting Paris particular perfectly Photo Ségalat picture Pierre plastic possible present pure remains René Magritte revealed Rimbaud Salvador Dali sculpture secret sense shadow simply surface surrealism surrealist symbolic things thought tion Toyen Victor Brauner vision visual whole Wifredo Lam Wolfgang Paalen woman words York Yves Tanguy