Surrealism and PaintingHarper & Row, 1972 - 415 pagina's |
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Pagina 5
... shadow the risk of failure is reduced by the fact that someone has managed to invest this shadow with all the charac- teristics of the prey , and repeats the process with this second Chemise of 1914 , and the still - life in. Pablo ...
... shadow the risk of failure is reduced by the fact that someone has managed to invest this shadow with all the charac- teristics of the prey , and repeats the process with this second Chemise of 1914 , and the still - life in. Pablo ...
Pagina 6
André Breton. JOUR Pablo Picasso : Woman in a Chemise . 1914 . shadow , this third shadow ... We leave behind us the great grey beige ' scaffoldings ' of 1912 , the most perfect example of which is undoubtedly the fabulously elegant Man ...
André Breton. JOUR Pablo Picasso : Woman in a Chemise . 1914 . shadow , this third shadow ... We leave behind us the great grey beige ' scaffoldings ' of 1912 , the most perfect example of which is undoubtedly the fabulously elegant Man ...
Pagina 111
... shadow and light , relations which should not be conditioned by an arbitrary assumption that the object is at rest an absurd assumption which would have us walk around the object in order to convince ourselves of its existence ...
... shadow and light , relations which should not be conditioned by an arbitrary assumption that the object is at rest an absurd assumption which would have us walk around the object in order to convince ourselves of its existence ...
Inhoudsopgave
SURREALISM AND PAINTING | 1 |
ARTISTIC GENESIS AND PERSPECTIVE | 49 |
White rose bunch 1934 | 121 |
Copyright | |
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Veelvoorkomende woorden en zinsdelen
absolutely achieved André Breton André Masson animal Apollinaire appearance artistic aspect Bachelors beautiful become bird Bride Stripped century Chirico colour considered Crépin Daumesnil drawing dream elements Enrico Baj entirely everything exhibition existence expression Exquisite Corpse external eyes fact feel figures Formerly coll France Francis Picabia Galerie Gaulish coins glass Gustave Moreau hand Henri Rousseau human idea imagination increasingly inspiration Jacques Hérold Joan Miró Kandinsky landscape Lautréamont less light magical Marcel Duchamp Matta Max Ernst Max Walter Svanberg means mental mind mysterious nature never night objects Pablo Picasso painters painting Paris particular perfectly Photo Ségalat picture Pierre plastic possible present pure remains René Magritte revealed Rimbaud Salvador Dali sculpture secret sense shadow simply surface surrealism surrealist symbolic things thought tion Toyen Victor Brauner vision visual whole Wifredo Lam Wolfgang Paalen woman words York Yves Tanguy