Contexts for CriticismMayfield Publishing Company, 1987 - 365 pagina's "Contexts for Criticism "introduces readers to the essential issues of literary interpretation. The text includes three complete works: Keats's "Ode on a Grecian Urn," Melville's "Benito Cereno," and Charlotte Perkins Gilmans "The Yellow Wallpaper," . . These texts - plus Shakespeare's The Tempest - are examined through seven fundamental critical theories: Historical (Author as Context and Culture as Context), Formal, Reader-Response, Mimetic, Intertextual, and Poststructural. . |
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Pagina 10
... mind . And it is to imply , further , that the real meaning of any utterance is in the mind of its author at the time of the utterance . Now , since a poem is , in nearly every instance , the product of a human mind , it would seem ...
... mind . And it is to imply , further , that the real meaning of any utterance is in the mind of its author at the time of the utterance . Now , since a poem is , in nearly every instance , the product of a human mind , it would seem ...
Pagina 117
... mind of the poet turning back swiftly on itself ? Line 71 twists in a different direction ; the mind turns again in this rapid sequence in line 73. The " But " of line 76 represents another turn , this time towards a calming resolution ...
... mind of the poet turning back swiftly on itself ? Line 71 twists in a different direction ; the mind turns again in this rapid sequence in line 73. The " But " of line 76 represents another turn , this time towards a calming resolution ...
Pagina 211
... mind , a character's mind , and the audience's mind . It is only the study of the audience's mind , Holland feels , that can lead " to a bona- fide method ; the other two tend to confusion " ( p . 294 ) . I believe that there are two kinds ...
... mind , a character's mind , and the audience's mind . It is only the study of the audience's mind , Holland feels , that can lead " to a bona- fide method ; the other two tend to confusion " ( p . 294 ) . I believe that there are two kinds ...
Inhoudsopgave
A Constructive Prologue | 1 |
Chapter | 9 |
A S P Woodhouse The Historical Criticism of Milton | 18 |
Copyright | |
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action aesthetic answer archetypal argues argument artistic character claim Claudius Cleanth Brooks coherence complex concept Conrad context conventions course death deconstructive emotion essay example experience fact feel fiction formal criticism formalist genetic criticism Ghost Hamlet Heart of Darkness Hirsch Historical Criticism human I. A. Richards ical identity ideology interpretation interpretive community intertextual intertextual critics Joseph Conrad kind Kurtz language linguistic literary criticism literature Lycidas Marlow ment metaphor metonymy Milton mimetic mind moral myth narrative nature norms Northrop Frye novel object particular pastoral pattern perspective play poem poem's poet poetic poetry Polonius problem psychological question reader reader-response critics reading reality reference response rhetorical scene seems sense Shakespeare simply social speak story structuralist structure suggests symbolic terpretation textual meaning theme theory thing thought tion tive truth ture understand verbal meaning W. K. Wimsatt words