Contexts for CriticismMayfield Publishing Company, 1987 - 365 pagina's "Contexts for Criticism "introduces readers to the essential issues of literary interpretation. The text includes three complete works: Keats's "Ode on a Grecian Urn," Melville's "Benito Cereno," and Charlotte Perkins Gilmans "The Yellow Wallpaper," . . These texts - plus Shakespeare's The Tempest - are examined through seven fundamental critical theories: Historical (Author as Context and Culture as Context), Formal, Reader-Response, Mimetic, Intertextual, and Poststructural. . |
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Pagina 27
... object . The text is first of all a conventional representation like a musical score , and what the score repre ... object of " inter- pretation " ; " significance , " which may change from reader to reader and from period to period , is ...
... object . The text is first of all a conventional representation like a musical score , and what the score repre ... object of " inter- pretation " ; " significance , " which may change from reader to reader and from period to period , is ...
Pagina 136
... object creates the illusion that the object is real and that its meaning must reside in it . The assumption of the subjective paradigm is that collective similarity of response can be determined only by each individual's an- nouncement ...
... object creates the illusion that the object is real and that its meaning must reside in it . The assumption of the subjective paradigm is that collective similarity of response can be determined only by each individual's an- nouncement ...
Pagina 264
... object of study . They have tried to set poems apart from other verbal structures , and then they have tried to borrow their methodology - their way of seeing the object from some other discipline . By this route we get such terms as ...
... object of study . They have tried to set poems apart from other verbal structures , and then they have tried to borrow their methodology - their way of seeing the object from some other discipline . By this route we get such terms as ...
Inhoudsopgave
A Constructive Prologue | 1 |
Chapter | 9 |
A S P Woodhouse The Historical Criticism of Milton | 18 |
Copyright | |
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action aesthetic answer archetypal argues argument artistic character claim Claudius Cleanth Brooks coherence complex concept Conrad context conventions course death deconstructive emotion essay example experience fact feel fiction formal criticism formalist genetic criticism Ghost Hamlet Heart of Darkness Hirsch Historical Criticism human I. A. Richards ical identity ideology interpretation interpretive community intertextual intertextual critics Joseph Conrad kind Kurtz language linguistic literary criticism literature Lycidas Marlow ment metaphor metonymy Milton mimetic mind moral myth narrative nature norms Northrop Frye novel object particular pastoral pattern perspective play poem poem's poet poetic poetry Polonius problem psychological question reader reader-response critics reading reality reference response rhetorical scene seems sense Shakespeare simply social speak story structuralist structure suggests symbolic terpretation textual meaning theme theory thing thought tion tive truth ture understand verbal meaning W. K. Wimsatt words