The Politics of Reflexivity: Narrative and the Constitutive Poetics of CultureJohns Hopkins University Press, 1986 - 271 pagina's |
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Pagina 73
... Barral is one case , however minor . Here is a figure one always seems to find " busy at that marvellous writing table , " deciding whether to expend himself for the characters who pass before his desk , a decision certainly akin to ...
... Barral is one case , however minor . Here is a figure one always seems to find " busy at that marvellous writing table , " deciding whether to expend himself for the characters who pass before his desk , a decision certainly akin to ...
Pagina 74
... Barral through a plot of diabolic possession— an extreme form of the recourse to the metaphysical to make narrative sense of things . The framing narrator is himself a novelist who thinks de Barral an apt subject for a tale by Poe ( 18 ...
... Barral through a plot of diabolic possession— an extreme form of the recourse to the metaphysical to make narrative sense of things . The framing narrator is himself a novelist who thinks de Barral an apt subject for a tale by Poe ( 18 ...
Pagina 107
... Barral , the financier . The narra- tive of thrift and virtue he stages in his advertising and public image is built with the same aesthetic devices as Marlow's tale . Words circulate as things in the realist's economy , point of view ...
... Barral , the financier . The narra- tive of thrift and virtue he stages in his advertising and public image is built with the same aesthetic devices as Marlow's tale . Words circulate as things in the realist's economy , point of view ...
Inhoudsopgave
Narrative Reflexivity and Constitutive Poetics | 1 |
Conrad Early Modernism and the Narrators | 66 |
FOUR | 122 |
Copyright | |
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apparent argues assumptions attempt becomes begins chance chapter characters codes coherence comes concept constitutive conventions course critical cultural depends desire discourse economic effect effort elements example existence expectations experience fact feels fiction figure final force Fowles frame function ground hand Hence human identity imagination individual interest interpretation issues Jeremiah kind language least less light limits lines literary living look mark Marlow material matter means Metafiction metaphor metaphysical moral narrative narrator narrator's nature novel object passage perhaps play plot poetics position possible Powell question reader reading reality reference reflect reflexive relation rhetorical role romantic seeks seems seen semiotic sense shape social stance story structure suggests tells textual theory things tion traditional truth turns University Press voice writing