The Politics of Reflexivity: Narrative and the Constitutive Poetics of CultureJohns Hopkins University Press, 1986 - 271 pagina's |
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Pagina 20
... Becky Revisits the Halls of Her Ancestors , " delights the reader with its obvious sarcasm at the expense of the novel of high fashion in which Becky now feels herself a protagonist . One need only skim the table of contents of Vanity ...
... Becky Revisits the Halls of Her Ancestors , " delights the reader with its obvious sarcasm at the expense of the novel of high fashion in which Becky now feels herself a protagonist . One need only skim the table of contents of Vanity ...
Pagina 22
... Becky con- soled herself by so balancing the chances and equalizing the distribution of good and evil in the world . ( 2 : 80-81 ; 41 ) Within the quotation marks , Becky unfolds clearly worldly ethics con- demning the snobbery of those ...
... Becky con- soled herself by so balancing the chances and equalizing the distribution of good and evil in the world . ( 2 : 80-81 ; 41 ) Within the quotation marks , Becky unfolds clearly worldly ethics con- demning the snobbery of those ...
Pagina 56
... Becky's campaign for the nabob into the diminishing frame of narrative comedy . " The novel- ist , who knows everything , " can expose Becky's scheming by revealing that the trophies Rawdon sent his aunt were purchased by Becky from the ...
... Becky's campaign for the nabob into the diminishing frame of narrative comedy . " The novel- ist , who knows everything , " can expose Becky's scheming by revealing that the trophies Rawdon sent his aunt were purchased by Becky from the ...
Inhoudsopgave
Narrative Reflexivity and Constitutive Poetics | 1 |
Conrad Early Modernism and the Narrators | 66 |
FOUR | 122 |
Copyright | |
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apparent argues assumptions attempt becomes begins chance chapter characters codes coherence comes concept constitutive conventions course critical cultural depends desire discourse economic effect effort elements example existence expectations experience fact feels fiction figure final force Fowles frame function ground hand Hence human identity imagination individual interest interpretation issues Jeremiah kind language least less light limits lines literary living look mark Marlow material matter means Metafiction metaphor metaphysical moral narrative narrator narrator's nature novel object passage perhaps play plot poetics position possible Powell question reader reading reality reference reflect reflexive relation rhetorical role romantic seeks seems seen semiotic sense shape social stance story structure suggests tells textual theory things tion traditional truth turns University Press voice writing