The Politics of Reflexivity: Narrative and the Constitutive Poetics of CultureJohns Hopkins University Press, 1986 - 271 pagina's |
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Pagina 66
... Conrad's Chance was , surprisingly to many modern readers , a very heartening popular success for its author . Indeed , in his often- quoted " Author's Note " Conrad pauses over this success : " What makes this book memorable to me ...
... Conrad's Chance was , surprisingly to many modern readers , a very heartening popular success for its author . Indeed , in his often- quoted " Author's Note " Conrad pauses over this success : " What makes this book memorable to me ...
Pagina 98
... Conrad's effort to make Mar- low his means of pushing into this dilemma for traditional logic . Ulti- mately , so reflexive a question takes us to the very heart of the cultural process , and Conrad seems to have reached this extreme ...
... Conrad's effort to make Mar- low his means of pushing into this dilemma for traditional logic . Ulti- mately , so reflexive a question takes us to the very heart of the cultural process , and Conrad seems to have reached this extreme ...
Pagina 105
... Conrad ; selfhood becomes a product the individual must manufacture , nature is a force or object to be under- stood and used , and human community is a hierarchical structure dedi- cated to efficient and orderly productivity . Even ...
... Conrad ; selfhood becomes a product the individual must manufacture , nature is a force or object to be under- stood and used , and human community is a hierarchical structure dedi- cated to efficient and orderly productivity . Even ...
Inhoudsopgave
Narrative Reflexivity and Constitutive Poetics | 1 |
Conrad Early Modernism and the Narrators | 66 |
FOUR | 122 |
Copyright | |
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apparent argues assumptions attempt becomes begins chance chapter characters codes coherence comes concept constitutive conventions course critical cultural depends desire discourse economic effect effort elements example existence expectations experience fact feels fiction figure final force Fowles frame function ground hand Hence human identity imagination individual interest interpretation issues Jeremiah kind language least less light limits lines literary living look mark Marlow material matter means Metafiction metaphor metaphysical moral narrative narrator narrator's nature novel object passage perhaps play plot poetics position possible Powell question reader reading reality reference reflect reflexive relation rhetorical role romantic seeks seems seen semiotic sense shape social stance story structure suggests tells textual theory things tion traditional truth turns University Press voice writing