The Politics of Reflexivity: Narrative and the Constitutive Poetics of CultureJohns Hopkins University Press, 1986 - 271 pagina's |
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Pagina 82
... Flora and Anthony feel , and he also envies the bums " because they were too far gone to feel their degradation , " reminding us of Flora's equally low self - esteem . Hence Powell's expectation that the examination was his real test is ...
... Flora and Anthony feel , and he also envies the bums " because they were too far gone to feel their degradation , " reminding us of Flora's equally low self - esteem . Hence Powell's expectation that the examination was his real test is ...
Pagina 94
... Flora's life as a " tragi - comical adventure " ( 310 ) . The frame narrator thinks that " this is like one of those Redskin stories where the noble savages carry off a girl and the honest backwoodsman with his incomparable knowledge ...
... Flora's life as a " tragi - comical adventure " ( 310 ) . The frame narrator thinks that " this is like one of those Redskin stories where the noble savages carry off a girl and the honest backwoodsman with his incomparable knowledge ...
Pagina 95
... Flora . He projects " an air of calculated discretion " onto Flora's eyelashes ( 204 ) and depicts with conjecture entire scenes ( “ probably , " “ would be , ” “ must have , " together with narrated events drawn back from outright ...
... Flora . He projects " an air of calculated discretion " onto Flora's eyelashes ( 204 ) and depicts with conjecture entire scenes ( “ probably , " “ would be , ” “ must have , " together with narrated events drawn back from outright ...
Inhoudsopgave
Narrative Reflexivity and Constitutive Poetics | 1 |
Conrad Early Modernism and the Narrators | 66 |
FOUR | 122 |
Copyright | |
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apparent argues assumptions attempt becomes begins chance chapter characters codes coherence comes concept constitutive conventions course critical cultural depends desire discourse economic effect effort elements example existence expectations experience fact feels fiction figure final force Fowles frame function ground hand Hence human identity imagination individual interest interpretation issues Jeremiah kind language least less light limits lines literary living look mark Marlow material matter means Metafiction metaphor metaphysical moral narrative narrator narrator's nature novel object passage perhaps play plot poetics position possible Powell question reader reading reality reference reflect reflexive relation rhetorical role romantic seeks seems seen semiotic sense shape social stance story structure suggests tells textual theory things tion traditional truth turns University Press voice writing