The Politics of Reflexivity: Narrative and the Constitutive Poetics of CultureJohns Hopkins University Press, 1986 - 271 pagina's |
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Pagina 2
... hence turn back upon themselves . But we know that Tristram Shandy also has a great deal to say about what is not itself , about almost everything in fact - hence this new figure of " reflexive " seems more appropriate . It describes in ...
... hence turn back upon themselves . But we know that Tristram Shandy also has a great deal to say about what is not itself , about almost everything in fact - hence this new figure of " reflexive " seems more appropriate . It describes in ...
Pagina 5
... hence the reflexive novelist refers to his work as " the artifice which it must perforce be as selected and , hence , in one sense distant from reality . " This kind of reference is in the " initial con- ception " of novels by Sterne ...
... hence the reflexive novelist refers to his work as " the artifice which it must perforce be as selected and , hence , in one sense distant from reality . " This kind of reference is in the " initial con- ception " of novels by Sterne ...
Pagina 225
... Hence there is certainly something to I. A. Richards's startling separa- tion of emotive and referential language , of the truth of " internal necessity " and that of correspondence , though a " something " quite differently defined and ...
... Hence there is certainly something to I. A. Richards's startling separa- tion of emotive and referential language , of the truth of " internal necessity " and that of correspondence , though a " something " quite differently defined and ...
Inhoudsopgave
Narrative Reflexivity and Constitutive Poetics | 1 |
Conrad Early Modernism and the Narrators | 66 |
FOUR | 122 |
Copyright | |
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apparent argues assumptions attempt becomes begins chance chapter characters codes coherence comes concept constitutive conventions course critical cultural depends desire discourse economic effect effort elements example existence expectations experience fact feels fiction figure final force Fowles frame function ground hand Hence human identity imagination individual interest interpretation issues Jeremiah kind language least less light limits lines literary living look mark Marlow material matter means Metafiction metaphor metaphysical moral narrative narrator narrator's nature novel object passage perhaps play plot poetics position possible Powell question reader reading reality reference reflect reflexive relation rhetorical role romantic seeks seems seen semiotic sense shape social stance story structure suggests tells textual theory things tion traditional truth turns University Press voice writing