The Politics of Reflexivity: Narrative and the Constitutive Poetics of CultureJohns Hopkins University Press, 1986 - 271 pagina's |
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Pagina 123
... Jeremiah's own framework for defining the novel's problem while rejecting his unfortunate efforts to solve it within that framework . In other words , they accept the narrator's essentially patronizing stance toward Jeremiah's ...
... Jeremiah's own framework for defining the novel's problem while rejecting his unfortunate efforts to solve it within that framework . In other words , they accept the narrator's essentially patronizing stance toward Jeremiah's ...
Pagina 130
... Jeremiah's journal , speaking of legal language that " crackled like autumn leaves underfoot or thorns lighted under a pot " and of logic that " marched beyond the green confines of human hopes and fears across the sands of a desert ...
... Jeremiah's journal , speaking of legal language that " crackled like autumn leaves underfoot or thorns lighted under a pot " and of logic that " marched beyond the green confines of human hopes and fears across the sands of a desert ...
Pagina 131
... Jeremiah himself will soon enough achieve on the island of La Grand ' Bosse . Some of that concreteness is still in the second metaphor of the flame , but with a difference . That is , the comparison is not to the heatless flame , but ...
... Jeremiah himself will soon enough achieve on the island of La Grand ' Bosse . Some of that concreteness is still in the second metaphor of the flame , but with a difference . That is , the comparison is not to the heatless flame , but ...
Inhoudsopgave
Narrative Reflexivity and Constitutive Poetics | 1 |
Conrad Early Modernism and the Narrators | 66 |
FOUR | 122 |
Copyright | |
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apparent argues assumptions attempt becomes begins chance chapter characters codes coherence comes concept constitutive conventions course critical cultural depends desire discourse economic effect effort elements example existence expectations experience fact feels fiction figure final force Fowles frame function ground hand Hence human identity imagination individual interest interpretation issues Jeremiah kind language least less light limits lines literary living look mark Marlow material matter means Metafiction metaphor metaphysical moral narrative narrator narrator's nature novel object passage perhaps play plot poetics position possible Powell question reader reading reality reference reflect reflexive relation rhetorical role romantic seeks seems seen semiotic sense shape social stance story structure suggests tells textual theory things tion traditional truth turns University Press voice writing