The Politics of Reflexivity: Narrative and the Constitutive Poetics of CultureJohns Hopkins University Press, 1986 - 271 pagina's |
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Pagina 100
... Lord Jim , focusing upon metaphors of darkness and light , reaches a kindred conclusion : No one of them is the original ground , the 100 Conrad , Early Modernism , and the Narrator's Material.
... Lord Jim , focusing upon metaphors of darkness and light , reaches a kindred conclusion : No one of them is the original ground , the 100 Conrad , Early Modernism , and the Narrator's Material.
Pagina 101
... Lord Jim is like a dictionary in which the entry under one word refers the reader to another word which refers him to another and then back to the first word again , in an endless circling ; and Marlow sitting in his hotel room ...
... Lord Jim is like a dictionary in which the entry under one word refers the reader to another word which refers him to another and then back to the first word again , in an endless circling ; and Marlow sitting in his hotel room ...
Pagina 270
... Lord Jim , 75 , 100-101 , 120 Lubbock , Percy , 253 n . 19 McMaster , Juliet , 31-32 , 44 , 252 n . 6 , 253 n . 11 McPherson , Bruce R. , 214 Meisel , Perry , 100-101 , 256 n . 11 Melville , Herman : " The Piazza , " 59-60 ; Billy Budd ...
... Lord Jim , 75 , 100-101 , 120 Lubbock , Percy , 253 n . 19 McMaster , Juliet , 31-32 , 44 , 252 n . 6 , 253 n . 11 McPherson , Bruce R. , 214 Meisel , Perry , 100-101 , 256 n . 11 Melville , Herman : " The Piazza , " 59-60 ; Billy Budd ...
Inhoudsopgave
Narrative Reflexivity and Constitutive Poetics | 1 |
Conrad Early Modernism and the Narrators | 66 |
FOUR | 122 |
Copyright | |
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apparent argues assumptions attempt becomes begins chance chapter characters codes coherence comes concept constitutive conventions course critical cultural depends desire discourse economic effect effort elements example existence expectations experience fact feels fiction figure final force Fowles frame function ground hand Hence human identity imagination individual interest interpretation issues Jeremiah kind language least less light limits lines literary living look mark Marlow material matter means Metafiction metaphor metaphysical moral narrative narrator narrator's nature novel object passage perhaps play plot poetics position possible Powell question reader reading reality reference reflect reflexive relation rhetorical role romantic seeks seems seen semiotic sense shape social stance story structure suggests tells textual theory things tion traditional truth turns University Press voice writing