The Politics of Reflexivity: Narrative and the Constitutive Poetics of CultureJohns Hopkins University Press, 1986 - 271 pagina's |
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Pagina 69
... Marlow should be struck by Flora because she is " an exceptional case . " Marlow is fully aware that " conventions make both joy and suffering easier to bear in a becoming manner , " but his tone makes it equally clear that to be ...
... Marlow should be struck by Flora because she is " an exceptional case . " Marlow is fully aware that " conventions make both joy and suffering easier to bear in a becoming manner , " but his tone makes it equally clear that to be ...
Pagina 93
... Marlow seems for the moment to be a semiotician tracing the fictive origins of behavioral norms . Another case in which Marlow observes idealism and custom joining to authorize behavior is the " dithyrambic phraseology for the expres ...
... Marlow seems for the moment to be a semiotician tracing the fictive origins of behavioral norms . Another case in which Marlow observes idealism and custom joining to authorize behavior is the " dithyrambic phraseology for the expres ...
Pagina 96
... Marlow carries it into the " real " events - he is willing to stage scenes to produce the effects he wants . For example , Marlow is " indulg- ing my chaffing humour , " even becoming " vindictive " in order to pro- voke the Fynes into ...
... Marlow carries it into the " real " events - he is willing to stage scenes to produce the effects he wants . For example , Marlow is " indulg- ing my chaffing humour , " even becoming " vindictive " in order to pro- voke the Fynes into ...
Inhoudsopgave
Narrative Reflexivity and Constitutive Poetics | 1 |
Conrad Early Modernism and the Narrators | 66 |
FOUR | 122 |
Copyright | |
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apparent argues assumptions attempt becomes begins chance chapter characters codes coherence comes concept constitutive conventions course critical cultural depends desire discourse economic effect effort elements example existence expectations experience fact feels fiction figure final force Fowles frame function ground hand Hence human identity imagination individual interest interpretation issues Jeremiah kind language least less light limits lines literary living look mark Marlow material matter means Metafiction metaphor metaphysical moral narrative narrator narrator's nature novel object passage perhaps play plot poetics position possible Powell question reader reading reality reference reflect reflexive relation rhetorical role romantic seeks seems seen semiotic sense shape social stance story structure suggests tells textual theory things tion traditional truth turns University Press voice writing