The Politics of Reflexivity: Narrative and the Constitutive Poetics of CultureJohns Hopkins University Press, 1986 - 271 pagina's |
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Pagina 72
... Powell gets a job because a captain thinks he is a relation of old Powell , the shipping master . Young Powell's first name is Charles , as is Marlow's , as is that of the " cousin " of the governess whose buoyancy and good looks weave ...
... Powell gets a job because a captain thinks he is a relation of old Powell , the shipping master . Young Powell's first name is Charles , as is Marlow's , as is that of the " cousin " of the governess whose buoyancy and good looks weave ...
Pagina 82
... Powell into the bowels of St. Katherine's Dock House . Conrad wisely deletes from the serial a prolonged description of Powell taking his examination ( the captain besieges him with one catastrophe after another trying , unsuccessfully ...
... Powell into the bowels of St. Katherine's Dock House . Conrad wisely deletes from the serial a prolonged description of Powell taking his examination ( the captain besieges him with one catastrophe after another trying , unsuccessfully ...
Pagina 84
... Powell stands as the campfire of hopefulness , seeking the pathway lit by his beacon of professional competence and earnest com- mitment , these figures become reminders of the diabolic realm of dis- order hunting him to make him their ...
... Powell stands as the campfire of hopefulness , seeking the pathway lit by his beacon of professional competence and earnest com- mitment , these figures become reminders of the diabolic realm of dis- order hunting him to make him their ...
Inhoudsopgave
Narrative Reflexivity and Constitutive Poetics | 1 |
Conrad Early Modernism and the Narrators | 66 |
FOUR | 122 |
Copyright | |
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apparent argues assumptions attempt becomes begins chance chapter characters codes coherence comes concept constitutive conventions course critical cultural depends desire discourse economic effect effort elements example existence expectations experience fact feels fiction figure final force Fowles frame function ground hand Hence human identity imagination individual interest interpretation issues Jeremiah kind language least less light limits lines literary living look mark Marlow material matter means Metafiction metaphor metaphysical moral narrative narrator narrator's nature novel object passage perhaps play plot poetics position possible Powell question reader reading reality reference reflect reflexive relation rhetorical role romantic seeks seems seen semiotic sense shape social stance story structure suggests tells textual theory things tion traditional truth turns University Press voice writing