The Politics of Reflexivity: Narrative and the Constitutive Poetics of CultureJohns Hopkins University Press, 1986 - 271 pagina's |
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... Robert Kelly ; from Likely Stories : A Collection of Untraditional Fiction : New Paltz , New York ; Treacle Press ... Penn Warren . Copyright 1950 by Robert Penn Warren . Reprinted by permission of Random House , Inc. From Herzog by Saul ...
... Robert Kelly ; from Likely Stories : A Collection of Untraditional Fiction : New Paltz , New York ; Treacle Press ... Penn Warren . Copyright 1950 by Robert Penn Warren . Reprinted by permission of Random House , Inc. From Herzog by Saul ...
Pagina 122
... Robert Penn Warren's World Enough and Time , we find a means of following reflexively the way narrative constitutes identity within its characters and , by extension , in readers who necessarily assimilate narrative's implicit models ...
... Robert Penn Warren's World Enough and Time , we find a means of following reflexively the way narrative constitutes identity within its characters and , by extension , in readers who necessarily assimilate narrative's implicit models ...
Pagina 258
Narrative and the Constitutive Poetics of Culture Robert Siegle. Four Warren , Late Modernism , and the Issue of Narrative and Identity 1. Robert B. Heilman , " Tangled Web , " in Robert Penn Warren : A Collection of Critical Essays , ed ...
Narrative and the Constitutive Poetics of Culture Robert Siegle. Four Warren , Late Modernism , and the Issue of Narrative and Identity 1. Robert B. Heilman , " Tangled Web , " in Robert Penn Warren : A Collection of Critical Essays , ed ...
Inhoudsopgave
Narrative Reflexivity and Constitutive Poetics | 1 |
Conrad Early Modernism and the Narrators | 66 |
FOUR | 122 |
Copyright | |
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apparent argues assumptions attempt becomes begins chance chapter characters codes coherence comes concept constitutive conventions course critical cultural depends desire discourse economic effect effort elements example existence expectations experience fact feels fiction figure final force Fowles frame function ground hand Hence human identity imagination individual interest interpretation issues Jeremiah kind language least less light limits lines literary living look mark Marlow material matter means Metafiction metaphor metaphysical moral narrative narrator narrator's nature novel object passage perhaps play plot poetics position possible Powell question reader reading reality reference reflect reflexive relation rhetorical role romantic seeks seems seen semiotic sense shape social stance story structure suggests tells textual theory things tion traditional truth turns University Press voice writing