The Politics of Reflexivity: Narrative and the Constitutive Poetics of CultureJohns Hopkins University Press, 1986 - 271 pagina's |
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Pagina 27
... action in the world , arguing that its material forms ( its sinecures , chari- ties , and emoluments ) are immune to ... action , that point at which action must take place despite the odds . Trollope's superb de- vice for suggesting the ...
... action in the world , arguing that its material forms ( its sinecures , chari- ties , and emoluments ) are immune to ... action , that point at which action must take place despite the odds . Trollope's superb de- vice for suggesting the ...
Pagina 82
... action of the novel features an almost allegorical descent by Powell into the bowels of St. Katherine's Dock House . Conrad wisely deletes from the serial a prolonged description of Powell taking his examination ( the captain besieges ...
... action of the novel features an almost allegorical descent by Powell into the bowels of St. Katherine's Dock House . Conrad wisely deletes from the serial a prolonged description of Powell taking his examination ( the captain besieges ...
Pagina 83
... action in the novel repeats the first : the expectation of simple , straight- forward linear progression becomes complicated in labyrinthine am- biguities , moral equivocations , and the eminent danger of ceasing altogether - as when ...
... action in the novel repeats the first : the expectation of simple , straight- forward linear progression becomes complicated in labyrinthine am- biguities , moral equivocations , and the eminent danger of ceasing altogether - as when ...
Inhoudsopgave
Narrative Reflexivity and Constitutive Poetics | 1 |
Conrad Early Modernism and the Narrators | 66 |
FOUR | 122 |
Copyright | |
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apparent argues assumptions attempt becomes begins chance chapter characters codes coherence comes concept constitutive conventions course critical cultural depends desire discourse economic effect effort elements example existence expectations experience fact feels fiction figure final force Fowles frame function ground hand Hence human identity imagination individual interest interpretation issues Jeremiah kind language least less light limits lines literary living look mark Marlow material matter means Metafiction metaphor metaphysical moral narrative narrator narrator's nature novel object passage perhaps play plot poetics position possible Powell question reader reading reality reference reflect reflexive relation rhetorical role romantic seeks seems seen semiotic sense shape social stance story structure suggests tells textual theory things tion traditional truth turns University Press voice writing