The Politics of Reflexivity: Narrative and the Constitutive Poetics of CultureJohns Hopkins University Press, 1986 - 271 pagina's |
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Pagina 60
... already assimilated to his repertoire of conventional frames . Or alterna- tively , her face is very real to him , and he associates it with his changed . response to many a similar ( real ) story of economic oppression . The passage ...
... already assimilated to his repertoire of conventional frames . Or alterna- tively , her face is very real to him , and he associates it with his changed . response to many a similar ( real ) story of economic oppression . The passage ...
Pagina 144
... already a mislead- ing sign that something has passed whose own inward nature is unattain- able , whose outline , in fact , can only be guessed at , whose identity is at best approximate . It is guessed at and approximated on the basis ...
... already a mislead- ing sign that something has passed whose own inward nature is unattain- able , whose outline , in fact , can only be guessed at , whose identity is at best approximate . It is guessed at and approximated on the basis ...
Pagina 239
... already to be cohering , as this brief sketch attempts to suggest , and it should be no surprise if the emerging consensus looks and sounds different from our previous perspectives , if it corresponds to newer assumptions about language ...
... already to be cohering , as this brief sketch attempts to suggest , and it should be no surprise if the emerging consensus looks and sounds different from our previous perspectives , if it corresponds to newer assumptions about language ...
Inhoudsopgave
Narrative Reflexivity and Constitutive Poetics | 1 |
Conrad Early Modernism and the Narrators | 66 |
FOUR | 122 |
Copyright | |
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apparent argues assumptions attempt becomes begins chance chapter characters codes coherence comes concept constitutive conventions course critical cultural depends desire discourse economic effect effort elements example existence expectations experience fact feels fiction figure final force Fowles frame function ground hand Hence human identity imagination individual interest interpretation issues Jeremiah kind language least less light limits lines literary living look mark Marlow material matter means Metafiction metaphor metaphysical moral narrative narrator narrator's nature novel object passage perhaps play plot poetics position possible Powell question reader reading reality reference reflect reflexive relation rhetorical role romantic seeks seems seen semiotic sense shape social stance story structure suggests tells textual theory things tion traditional truth turns University Press voice writing