The Politics of Reflexivity: Narrative and the Constitutive Poetics of CultureJohns Hopkins University Press, 1986 - 271 pagina's |
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Pagina 60
... already assimilated to his repertoire of conventional frames . Or alterna- tively , her face is very real to him , and he associates it with his changed . response to many a similar ( real ) story of economic oppression . The passage ...
... already assimilated to his repertoire of conventional frames . Or alterna- tively , her face is very real to him , and he associates it with his changed . response to many a similar ( real ) story of economic oppression . The passage ...
Pagina 144
... already a mislead- ing sign that something has passed whose own inward nature is unattain- able , whose outline , in fact , can only be guessed at , whose identity is at best approximate . It is guessed at and approximated on the basis ...
... already a mislead- ing sign that something has passed whose own inward nature is unattain- able , whose outline , in fact , can only be guessed at , whose identity is at best approximate . It is guessed at and approximated on the basis ...
Pagina 239
... already to be cohering , as this brief sketch attempts to suggest , and it should be no surprise if the emerging consensus looks and sounds different from our previous perspectives , if it corresponds to newer assumptions about language ...
... already to be cohering , as this brief sketch attempts to suggest , and it should be no surprise if the emerging consensus looks and sounds different from our previous perspectives , if it corresponds to newer assumptions about language ...
Inhoudsopgave
Narrative Reflexivity and Constitutive Poetics | 1 |
Conrad Early Modernism and the Narrators | 66 |
FOUR | 122 |
Copyright | |
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Amelia Angela Carter argues assumptions authentic Barral Becky becomes chance chapter characters codes coherence concept Conrad consciousness conventions course cultural discourse economic elements epigraphs example existentialist experience fact feels fiction figure final Flora Fowles Fowles's frame French Lieutenant's Woman function Fyne ground Hence human ideological illusion imagination implications individual interpretation intertextual irony Jeremiah John Fowles language lines literary logocentric Lord Jim Marlow material means Metafiction metaphor metaphysical moral narrative narrator narrator's nature Nietzsche Nietzschean Nouveau Roman novel novelist omniscient paradigm passage perhaps philosophical play plot possible Powell Rabbit reader reading reality reflexive relation rhetorical Robert Penn Warren role romantic seems selfhood semiotic sense sexual shape social stance story structure stylized suggests tells textual Thackeray Thackeray's theme theory things tion tive traditional truth University Press Vanity Fair Victorian voice Wayne Booth words writing