The Politics of Reflexivity: Narrative and the Constitutive Poetics of CultureJohns Hopkins University Press, 1986 - 271 pagina's |
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Pagina 50
... argues for generic decorum , a neat separation of poetry ( in its primal rather than its formal sense ) and history ; Thackeray's mixture of these discursive types presages related attacks by Conrad , Warren , and Fowles , as we shall ...
... argues for generic decorum , a neat separation of poetry ( in its primal rather than its formal sense ) and history ; Thackeray's mixture of these discursive types presages related attacks by Conrad , Warren , and Fowles , as we shall ...
Pagina 140
... argues that " we are unable to affirm and to deny one and the same thing : this is a subjective empirical law , not the expression of any ' necessity ' but only of an in- ability ” ( 279 ) . His argument runs that logic , based upon ...
... argues that " we are unable to affirm and to deny one and the same thing : this is a subjective empirical law , not the expression of any ' necessity ' but only of an in- ability ” ( 279 ) . His argument runs that logic , based upon ...
Pagina 201
... argues of the author , one point in space and time . " Real " thus means consistent with paradigmatic ( i.e. , cultural , conventional ) determination of which signs shall refer to reality , to being real , to behaving consistently with ...
... argues of the author , one point in space and time . " Real " thus means consistent with paradigmatic ( i.e. , cultural , conventional ) determination of which signs shall refer to reality , to being real , to behaving consistently with ...
Inhoudsopgave
Narrative Reflexivity and Constitutive Poetics | 1 |
Conrad Early Modernism and the Narrators | 66 |
FOUR | 122 |
Copyright | |
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apparent argues assumptions attempt becomes begins chance chapter characters codes coherence comes concept constitutive conventions course critical cultural depends desire discourse economic effect effort elements example existence expectations experience fact feels fiction figure final force Fowles frame function ground hand Hence human identity imagination individual interest interpretation issues Jeremiah kind language least less light limits lines literary living look mark Marlow material matter means Metafiction metaphor metaphysical moral narrative narrator narrator's nature novel object passage perhaps play plot poetics position possible Powell question reader reading reality reference reflect reflexive relation rhetorical role romantic seeks seems seen semiotic sense shape social stance story structure suggests tells textual theory things tion traditional truth turns University Press voice writing