The Politics of Reflexivity: Narrative and the Constitutive Poetics of CultureJohns Hopkins University Press, 1986 - 271 pagina's |
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Pagina 25
... assumptions to which they are related . The sense of " reality , " in other words , derives from a narrative's conformity to a set of reign- ing assumptions rather than directly to any nonverbal “ reality . ” At the same time , to apply ...
... assumptions to which they are related . The sense of " reality , " in other words , derives from a narrative's conformity to a set of reign- ing assumptions rather than directly to any nonverbal “ reality . ” At the same time , to apply ...
Pagina 32
... assumption - laden expecta- tions about what kinds of events " qualify " for treatment in a Victorian novel and about ... assumptions upon the reality they pretend simply to represent . Puppets " carved and dressed with the greatest care ...
... assumption - laden expecta- tions about what kinds of events " qualify " for treatment in a Victorian novel and about ... assumptions upon the reality they pretend simply to represent . Puppets " carved and dressed with the greatest care ...
Pagina 51
... assumption of the possibility of " valid " interpretation . This debate , then , quickly transcends its local relevance as an episode in Don Quixote and bridges to Vanity Fair's efforts to outline the im- plicit assumptions of this ...
... assumption of the possibility of " valid " interpretation . This debate , then , quickly transcends its local relevance as an episode in Don Quixote and bridges to Vanity Fair's efforts to outline the im- plicit assumptions of this ...
Inhoudsopgave
Narrative Reflexivity and Constitutive Poetics | 1 |
Conrad Early Modernism and the Narrators | 66 |
FOUR | 122 |
Copyright | |
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apparent argues assumptions attempt becomes begins chance chapter characters codes coherence comes concept constitutive conventions course critical cultural depends desire discourse economic effect effort elements example existence expectations experience fact feels fiction figure final force Fowles frame function ground hand Hence human identity imagination individual interest interpretation issues Jeremiah kind language least less light limits lines literary living look mark Marlow material matter means Metafiction metaphor metaphysical moral narrative narrator narrator's nature novel object passage perhaps play plot poetics position possible Powell question reader reading reality reference reflect reflexive relation rhetorical role romantic seeks seems seen semiotic sense shape social stance story structure suggests tells textual theory things tion traditional truth turns University Press voice writing