The Politics of Reflexivity: Narrative and the Constitutive Poetics of CultureJohns Hopkins University Press, 1986 - 271 pagina's |
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Pagina 88
... attempt , by readers or by its own charac- ters , to look to the sea for natural or transcendent values with which to draw the margins for their existential copybooks . Marlow's distinction is that , in the final metaphor of chapter 1 ...
... attempt , by readers or by its own charac- ters , to look to the sea for natural or transcendent values with which to draw the margins for their existential copybooks . Marlow's distinction is that , in the final metaphor of chapter 1 ...
Pagina 102
... attempts , like an enemy , to get a deadly poison down the captain's throat . 20 More important , however , these ... attempt and suicide , and Anthony's drowning become conventional and necessary steps in the causal chain whose end ...
... attempts , like an enemy , to get a deadly poison down the captain's throat . 20 More important , however , these ... attempt and suicide , and Anthony's drowning become conventional and necessary steps in the causal chain whose end ...
Pagina 134
... attempt requires that one have faith in the means of perception , its capacity to elaborate a sufficiently complex ... attempt founders - in the plot , for example , Jeremiah never achieves an explanation that survives the test of his ...
... attempt requires that one have faith in the means of perception , its capacity to elaborate a sufficiently complex ... attempt founders - in the plot , for example , Jeremiah never achieves an explanation that survives the test of his ...
Inhoudsopgave
Narrative Reflexivity and Constitutive Poetics | 1 |
Conrad Early Modernism and the Narrators | 66 |
FOUR | 122 |
Copyright | |
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apparent argues assumptions attempt becomes begins chance chapter characters codes coherence comes concept constitutive conventions course critical cultural depends desire discourse economic effect effort elements example existence expectations experience fact feels fiction figure final force Fowles frame function ground hand Hence human identity imagination individual interest interpretation issues Jeremiah kind language least less light limits lines literary living look mark Marlow material matter means Metafiction metaphor metaphysical moral narrative narrator narrator's nature novel object passage perhaps play plot poetics position possible Powell question reader reading reality reference reflect reflexive relation rhetorical role romantic seeks seems seen semiotic sense shape social stance story structure suggests tells textual theory things tion traditional truth turns University Press voice writing