The Politics of Reflexivity: Narrative and the Constitutive Poetics of CultureJohns Hopkins University Press, 1986 - 271 pagina's |
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Pagina 116
... authenticity , and it is no accident that Lawrence's figures work both frenetically and discursively to speak into being that authentic balance of the various oppositions with which his narratives play - that " struggle for verbal ...
... authenticity , and it is no accident that Lawrence's figures work both frenetically and discursively to speak into being that authentic balance of the various oppositions with which his narratives play - that " struggle for verbal ...
Pagina 118
... authentic self - narratizing - carries with it an equally potent socioeconomic theme - the inaccessibility of any authentic view of a communal other that might satisfy the intense desires concentrated ( displaced ? ) here into the ...
... authentic self - narratizing - carries with it an equally potent socioeconomic theme - the inaccessibility of any authentic view of a communal other that might satisfy the intense desires concentrated ( displaced ? ) here into the ...
Pagina 163
... authentic being than that to be found in his unfinished scholarly labors . " Late in spring , " we are told early on , " Herzog had been overcome by the need to explain , to have it out , to justify , to put in perspective , to clarify ...
... authentic being than that to be found in his unfinished scholarly labors . " Late in spring , " we are told early on , " Herzog had been overcome by the need to explain , to have it out , to justify , to put in perspective , to clarify ...
Inhoudsopgave
Narrative Reflexivity and Constitutive Poetics | 1 |
Conrad Early Modernism and the Narrators | 66 |
FOUR | 122 |
Copyright | |
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apparent argues assumptions attempt becomes begins chance chapter characters codes coherence comes concept constitutive conventions course critical cultural depends desire discourse economic effect effort elements example existence expectations experience fact feels fiction figure final force Fowles frame function ground hand Hence human identity imagination individual interest interpretation issues Jeremiah kind language least less light limits lines literary living look mark Marlow material matter means Metafiction metaphor metaphysical moral narrative narrator narrator's nature novel object passage perhaps play plot poetics position possible Powell question reader reading reality reference reflect reflexive relation rhetorical role romantic seeks seems seen semiotic sense shape social stance story structure suggests tells textual theory things tion traditional truth turns University Press voice writing