The Politics of Reflexivity: Narrative and the Constitutive Poetics of CultureJohns Hopkins University Press, 1986 - 271 pagina's |
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Pagina 41
... become destructive and arbitrary authority ; the belligerent Herbert becomes a passive helper ; Pip as aggres- sive social climber gives way to Pip as melancholy loner and dependent . And so on . These changes depend less upon any ...
... become destructive and arbitrary authority ; the belligerent Herbert becomes a passive helper ; Pip as aggres- sive social climber gives way to Pip as melancholy loner and dependent . And so on . These changes depend less upon any ...
Pagina 117
... becomes increasingly attenuated in the novel the more intensely the struggles are fought on the personal plane . In the early going there is much made over Gerald's mechanization of the mines , another step in reifying every event in ...
... becomes increasingly attenuated in the novel the more intensely the struggles are fought on the personal plane . In the early going there is much made over Gerald's mechanization of the mines , another step in reifying every event in ...
Pagina 185
... becomes less a linear mes- sage than a crosshatching of conventional " lines " ( in all senses of the word ) , a series of overlays of various code systems that , as they come together , disperse and recombine in an apparently ...
... becomes less a linear mes- sage than a crosshatching of conventional " lines " ( in all senses of the word ) , a series of overlays of various code systems that , as they come together , disperse and recombine in an apparently ...
Inhoudsopgave
Narrative Reflexivity and Constitutive Poetics | 1 |
Conrad Early Modernism and the Narrators | 66 |
FOUR | 122 |
Copyright | |
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apparent argues assumptions attempt becomes begins chance chapter characters codes coherence comes concept constitutive conventions course critical cultural depends desire discourse economic effect effort elements example existence expectations experience fact feels fiction figure final force Fowles frame function ground hand Hence human identity imagination individual interest interpretation issues Jeremiah kind language least less light limits lines literary living look mark Marlow material matter means Metafiction metaphor metaphysical moral narrative narrator narrator's nature novel object passage perhaps play plot poetics position possible Powell question reader reading reality reference reflect reflexive relation rhetorical role romantic seeks seems seen semiotic sense shape social stance story structure suggests tells textual theory things tion traditional truth turns University Press voice writing