The Politics of Reflexivity: Narrative and the Constitutive Poetics of CultureJohns Hopkins University Press, 1986 - 271 pagina's |
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Pagina 48
... called truth , and who could be in a posi- tion to " tell " us ? Not , it appears , the historian . The first possibility makes " truth " a function of a speaker's status , that is , a situational matter ; the second assumes a more ...
... called truth , and who could be in a posi- tion to " tell " us ? Not , it appears , the historian . The first possibility makes " truth " a function of a speaker's status , that is , a situational matter ; the second assumes a more ...
Pagina 140
... called true by us . " 8 The " axioms of logic " are not " adequate to reality " so much as they are " a means and measure for us to create reality , the concept ' reality , ' for ourselves , " thus making the only ground of logic what ...
... called true by us . " 8 The " axioms of logic " are not " adequate to reality " so much as they are " a means and measure for us to create reality , the concept ' reality , ' for ourselves , " thus making the only ground of logic what ...
Pagina 183
... called a semiotic being . For the author in this case , Hardy , is traced through the fictional and poetic creations that have drawn the notice of Fowles . The " energizing " comes from the static between the discourse of passion and ...
... called a semiotic being . For the author in this case , Hardy , is traced through the fictional and poetic creations that have drawn the notice of Fowles . The " energizing " comes from the static between the discourse of passion and ...
Inhoudsopgave
Narrative Reflexivity and Constitutive Poetics | 1 |
Conrad Early Modernism and the Narrators | 66 |
FOUR | 122 |
Copyright | |
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apparent argues assumptions attempt becomes begins chance chapter characters codes coherence comes concept constitutive conventions course critical cultural depends desire discourse economic effect effort elements example existence expectations experience fact feels fiction figure final force Fowles frame function ground hand Hence human identity imagination individual interest interpretation issues Jeremiah kind language least less light limits lines literary living look mark Marlow material matter means Metafiction metaphor metaphysical moral narrative narrator narrator's nature novel object passage perhaps play plot poetics position possible Powell question reader reading reality reference reflect reflexive relation rhetorical role romantic seeks seems seen semiotic sense shape social stance story structure suggests tells textual theory things tion traditional truth turns University Press voice writing