The Politics of Reflexivity: Narrative and the Constitutive Poetics of CultureJohns Hopkins University Press, 1986 - 271 pagina's |
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Pagina 102
... chance and understanding . Certainly its characters frequently falter in the struggle to define fully the causal coherence that seems the essential narrative logic . Indeed , the number of times the plot " hits " or " misses " purely ...
... chance and understanding . Certainly its characters frequently falter in the struggle to define fully the causal coherence that seems the essential narrative logic . Indeed , the number of times the plot " hits " or " misses " purely ...
Pagina 103
... chance with providence all but implies the principle of void or disorder as the most fully defined " center " of our cultural history - God himself . Chance is both the puzzle to coherence and the heart of its order . On the one hand it ...
... chance with providence all but implies the principle of void or disorder as the most fully defined " center " of our cultural history - God himself . Chance is both the puzzle to coherence and the heart of its order . On the one hand it ...
Pagina 104
... chance , and the infinite beyond the cultural vessel does not take the culture into alien territory beyond logocentric assumptions , but it does show how those assumptions prescribe a narra- tive project in which allusions to that ...
... chance , and the infinite beyond the cultural vessel does not take the culture into alien territory beyond logocentric assumptions , but it does show how those assumptions prescribe a narra- tive project in which allusions to that ...
Inhoudsopgave
Narrative Reflexivity and Constitutive Poetics | 1 |
Conrad Early Modernism and the Narrators | 66 |
FOUR | 122 |
Copyright | |
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apparent argues assumptions attempt becomes begins chance chapter characters codes coherence comes concept constitutive conventions course critical cultural depends desire discourse economic effect effort elements example existence expectations experience fact feels fiction figure final force Fowles frame function ground hand Hence human identity imagination individual interest interpretation issues Jeremiah kind language least less light limits lines literary living look mark Marlow material matter means Metafiction metaphor metaphysical moral narrative narrator narrator's nature novel object passage perhaps play plot poetics position possible Powell question reader reading reality reference reflect reflexive relation rhetorical role romantic seeks seems seen semiotic sense shape social stance story structure suggests tells textual theory things tion traditional truth turns University Press voice writing