The Politics of Reflexivity: Narrative and the Constitutive Poetics of CultureJohns Hopkins University Press, 1986 - 271 pagina's |
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Pagina 80
... characters in the novel , she draws upon the dubious devices of revisionist memory , causal fictions , and what we might call " characterization " -turning others into types for her own psychodrama - in order to connect past and future ...
... characters in the novel , she draws upon the dubious devices of revisionist memory , causal fictions , and what we might call " characterization " -turning others into types for her own psychodrama - in order to connect past and future ...
Pagina 94
... characters in the novel , himself included , trying to interpret signs into some coherent " fate " or plot . And if Powell thinks Flora " looked like a forsaken elf " and that Captain Anthony had " something African , something Moorish ...
... characters in the novel , himself included , trying to interpret signs into some coherent " fate " or plot . And if Powell thinks Flora " looked like a forsaken elf " and that Captain Anthony had " something African , something Moorish ...
Pagina 110
... characters ' collective life is shown to have a lack . Lest this appear detached from a discussion of reflexivity , let me make it clear that the repeated failures of James's characters to master the materials of their " lives " as ...
... characters ' collective life is shown to have a lack . Lest this appear detached from a discussion of reflexivity , let me make it clear that the repeated failures of James's characters to master the materials of their " lives " as ...
Inhoudsopgave
Narrative Reflexivity and Constitutive Poetics | 1 |
Conrad Early Modernism and the Narrators | 66 |
FOUR | 122 |
Copyright | |
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apparent argues assumptions attempt becomes begins chance chapter characters codes coherence comes concept constitutive conventions course critical cultural depends desire discourse economic effect effort elements example existence expectations experience fact feels fiction figure final force Fowles frame function ground hand Hence human identity imagination individual interest interpretation issues Jeremiah kind language least less light limits lines literary living look mark Marlow material matter means Metafiction metaphor metaphysical moral narrative narrator narrator's nature novel object passage perhaps play plot poetics position possible Powell question reader reading reality reference reflect reflexive relation rhetorical role romantic seeks seems seen semiotic sense shape social stance story structure suggests tells textual theory things tion traditional truth turns University Press voice writing