The Politics of Reflexivity: Narrative and the Constitutive Poetics of CultureJohns Hopkins University Press, 1986 - 271 pagina's |
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Pagina 10
... codes on readers , texts " train semiosis , ” as Eco puts it , by compelling them to reconsider the various codes and discover new possibilities in them . This training quick- ly erodes our sense that these codes are " natural " or ...
... codes on readers , texts " train semiosis , ” as Eco puts it , by compelling them to reconsider the various codes and discover new possibilities in them . This training quick- ly erodes our sense that these codes are " natural " or ...
Pagina 11
... codes that compete for prevalence in a given community . But this process is clearly also ideological , since the " way culture ' sees ' the world " has enormous material consequences , and since the means by which one cluster of codes ...
... codes that compete for prevalence in a given community . But this process is clearly also ideological , since the " way culture ' sees ' the world " has enormous material consequences , and since the means by which one cluster of codes ...
Pagina 237
... code or codes prestructuring everything the author " sees , " and the author's relation to that world is thus the Nietzschean will to mastery that dominated our study of World Enough and Time . The complex- ity of this relation results ...
... code or codes prestructuring everything the author " sees , " and the author's relation to that world is thus the Nietzschean will to mastery that dominated our study of World Enough and Time . The complex- ity of this relation results ...
Inhoudsopgave
Narrative Reflexivity and Constitutive Poetics | 1 |
Conrad Early Modernism and the Narrators | 66 |
FOUR | 122 |
Copyright | |
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apparent argues assumptions attempt becomes begins chance chapter characters codes coherence comes concept constitutive conventions course critical cultural depends desire discourse economic effect effort elements example existence expectations experience fact feels fiction figure final force Fowles frame function ground hand Hence human identity imagination individual interest interpretation issues Jeremiah kind language least less light limits lines literary living look mark Marlow material matter means Metafiction metaphor metaphysical moral narrative narrator narrator's nature novel object passage perhaps play plot poetics position possible Powell question reader reading reality reference reflect reflexive relation rhetorical role romantic seeks seems seen semiotic sense shape social stance story structure suggests tells textual theory things tion traditional truth turns University Press voice writing