The Politics of Reflexivity: Narrative and the Constitutive Poetics of CultureJohns Hopkins University Press, 1986 - 271 pagina's |
Vanuit het boek
Resultaten 1-3 van 39
Pagina 5
... coherence and the " mass of de- tail or experience " we term " reality . " Artifice is " distant from reality , " and the practitioner steeped in his genre cannot help but be at least implicitly aware of this . Here we are on the brink ...
... coherence and the " mass of de- tail or experience " we term " reality . " Artifice is " distant from reality , " and the practitioner steeped in his genre cannot help but be at least implicitly aware of this . Here we are on the brink ...
Pagina 102
... coherence that seems the essential narrative logic . Indeed , the number of times the plot " hits " or " misses " purely because of chance makes very difficult the effort at that kind of definition , a difficulty that is often shown by ...
... coherence that seems the essential narrative logic . Indeed , the number of times the plot " hits " or " misses " purely because of chance makes very difficult the effort at that kind of definition , a difficulty that is often shown by ...
Pagina 103
... coherence and the heart of its order . On the one hand it arouses our skepticism , since chance seems an alogical category that cannot fit our causal lines of explanation . But when chance is the explanation , institutionalized as the ...
... coherence and the heart of its order . On the one hand it arouses our skepticism , since chance seems an alogical category that cannot fit our causal lines of explanation . But when chance is the explanation , institutionalized as the ...
Inhoudsopgave
Narrative Reflexivity and Constitutive Poetics | 1 |
Conrad Early Modernism and the Narrators | 66 |
FOUR | 122 |
Copyright | |
3 andere gedeelten niet getoond
Veelvoorkomende woorden en zinsdelen
apparent argues assumptions attempt becomes begins chance chapter characters codes coherence comes concept constitutive conventions course critical cultural depends desire discourse economic effect effort elements example existence expectations experience fact feels fiction figure final force Fowles frame function ground hand Hence human identity imagination individual interest interpretation issues Jeremiah kind language least less light limits lines literary living look mark Marlow material matter means Metafiction metaphor metaphysical moral narrative narrator narrator's nature novel object passage perhaps play plot poetics position possible Powell question reader reading reality reference reflect reflexive relation rhetorical role romantic seeks seems seen semiotic sense shape social stance story structure suggests tells textual theory things tion traditional truth turns University Press voice writing