The Politics of Reflexivity: Narrative and the Constitutive Poetics of CultureJohns Hopkins University Press, 1986 - 271 pagina's |
Vanuit het boek
Resultaten 1-3 van 3
Pagina 35
... coloured hair - how my children should work work bags for her , and my Julia and I would make her comfortable ! Sweet - sweet vision ! Foolish - foolish dream ! " ( 1 : 104 ; 9 ) . The narrator's comment certainly foreshadows the ...
... coloured hair - how my children should work work bags for her , and my Julia and I would make her comfortable ! Sweet - sweet vision ! Foolish - foolish dream ! " ( 1 : 104 ; 9 ) . The narrator's comment certainly foreshadows the ...
Pagina 89
... colour , sensations — the only riches of our world of senses " ( 62 ) . At moments like this one , Marlow is ready to resolve intellectual protests , personal relations 89 The Politics of Reflexivity Narrative and the Forms of Culture.
... colour , sensations — the only riches of our world of senses " ( 62 ) . At moments like this one , Marlow is ready to resolve intellectual protests , personal relations 89 The Politics of Reflexivity Narrative and the Forms of Culture.
Pagina 172
... colour- less mechanism distinguished from other such mechanisms only by its position in space and time . Ultimately ' I ' is simply the common condi- tion of all human mentality . . . . ' I ' is thus a convenient geographical ...
... colour- less mechanism distinguished from other such mechanisms only by its position in space and time . Ultimately ' I ' is simply the common condi- tion of all human mentality . . . . ' I ' is thus a convenient geographical ...
Inhoudsopgave
Narrative Reflexivity and Constitutive Poetics | 1 |
Conrad Early Modernism and the Narrators | 66 |
FOUR | 122 |
Copyright | |
3 andere gedeelten niet getoond
Veelvoorkomende woorden en zinsdelen
apparent argues assumptions attempt becomes begins chance chapter characters codes coherence comes concept constitutive conventions course critical cultural depends desire discourse economic effect effort elements example existence expectations experience fact feels fiction figure final force Fowles frame function ground hand Hence human identity imagination individual interest interpretation issues Jeremiah kind language least less light limits lines literary living look mark Marlow material matter means Metafiction metaphor metaphysical moral narrative narrator narrator's nature novel object passage perhaps play plot poetics position possible Powell question reader reading reality reference reflect reflexive relation rhetorical role romantic seeks seems seen semiotic sense shape social stance story structure suggests tells textual theory things tion traditional truth turns University Press voice writing