The Politics of Reflexivity: Narrative and the Constitutive Poetics of CultureJohns Hopkins University Press, 1986 - 271 pagina's |
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Pagina 1
... Concept of Reflexivity Partly , then , this book is about what has happened to the shepherd's crook since the era before the Greek pastoral meant a literary idyll . Having admired the staff's sinuous curve back upon itself , the Romans ...
... Concept of Reflexivity Partly , then , this book is about what has happened to the shepherd's crook since the era before the Greek pastoral meant a literary idyll . Having admired the staff's sinuous curve back upon itself , the Romans ...
Pagina 140
... concepts Jeremiah is trying to work with . It is worth pausing over Jeremiah's recurrent confusion of his physical and ... concept ' reality , ' for ourselves , " thus making the only ground of logic what we would call a constitutive ...
... concepts Jeremiah is trying to work with . It is worth pausing over Jeremiah's recurrent confusion of his physical and ... concept ' reality , ' for ourselves , " thus making the only ground of logic what we would call a constitutive ...
Pagina 251
... concept is available in Margins of Philoso- phy , 1-27 . may 14. Umberto Eco , A Theory of Semiotics , 274. Consider the semiotic quality of Frank Kermode's attention to " Secrets and Narrative Sequence " wherever he learn from them the ...
... concept is available in Margins of Philoso- phy , 1-27 . may 14. Umberto Eco , A Theory of Semiotics , 274. Consider the semiotic quality of Frank Kermode's attention to " Secrets and Narrative Sequence " wherever he learn from them the ...
Inhoudsopgave
Narrative Reflexivity and Constitutive Poetics | 1 |
Conrad Early Modernism and the Narrators | 66 |
FOUR | 122 |
Copyright | |
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apparent argues assumptions attempt becomes begins chance chapter characters codes coherence comes concept constitutive conventions course critical cultural depends desire discourse economic effect effort elements example existence expectations experience fact feels fiction figure final force Fowles frame function ground hand Hence human identity imagination individual interest interpretation issues Jeremiah kind language least less light limits lines literary living look mark Marlow material matter means Metafiction metaphor metaphysical moral narrative narrator narrator's nature novel object passage perhaps play plot poetics position possible Powell question reader reading reality reference reflect reflexive relation rhetorical role romantic seeks seems seen semiotic sense shape social stance story structure suggests tells textual theory things tion traditional truth turns University Press voice writing