The Politics of Reflexivity: Narrative and the Constitutive Poetics of CultureJohns Hopkins University Press, 1986 - 271 pagina's |
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Pagina 32
... conventions shared by its manager and audience , conventions that " accept " oversim- plifications of human nature in characterization , unrealistic elements in personal relations , and extraordinarily heightened dramatic scenes - a ...
... conventions shared by its manager and audience , conventions that " accept " oversim- plifications of human nature in characterization , unrealistic elements in personal relations , and extraordinarily heightened dramatic scenes - a ...
Pagina 39
... conventions to specify what happens for them . The mysti- fied would argue that this is precisely because conventions inevitably diminish the mystical power of authentic selfhood , pure being . But the same material also supports the ...
... conventions to specify what happens for them . The mysti- fied would argue that this is precisely because conventions inevitably diminish the mystical power of authentic selfhood , pure being . But the same material also supports the ...
Pagina 69
... conventions make both joy and suffering easier to bear in a becoming manner , " but his tone makes it equally clear that to be " becoming " is no great accomplishment . As he goes on ( in the serial version ) , Marlow observes that ...
... conventions make both joy and suffering easier to bear in a becoming manner , " but his tone makes it equally clear that to be " becoming " is no great accomplishment . As he goes on ( in the serial version ) , Marlow observes that ...
Inhoudsopgave
Narrative Reflexivity and Constitutive Poetics | 1 |
Conrad Early Modernism and the Narrators | 66 |
FOUR | 122 |
Copyright | |
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apparent argues assumptions attempt becomes begins chance chapter characters codes coherence comes concept constitutive conventions course critical cultural depends desire discourse economic effect effort elements example existence expectations experience fact feels fiction figure final force Fowles frame function ground hand Hence human identity imagination individual interest interpretation issues Jeremiah kind language least less light limits lines literary living look mark Marlow material matter means Metafiction metaphor metaphysical moral narrative narrator narrator's nature novel object passage perhaps play plot poetics position possible Powell question reader reading reality reference reflect reflexive relation rhetorical role romantic seeks seems seen semiotic sense shape social stance story structure suggests tells textual theory things tion traditional truth turns University Press voice writing