The Politics of Reflexivity: Narrative and the Constitutive Poetics of CultureJohns Hopkins University Press, 1986 - 271 pagina's |
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Pagina 27
... course , is more compli- cated than that , as is the fiction of both Defoe and Richardson . But in its effort to deal with the sweep of middle - class existence in midcentury England , the novel does through irony mark the anxiety over ...
... course , is more compli- cated than that , as is the fiction of both Defoe and Richardson . But in its effort to deal with the sweep of middle - class existence in midcentury England , the novel does through irony mark the anxiety over ...
Pagina 75
... course , Marlow ) , he has a capacity to fill out imaginatively the scenic possibilities ( " he did not know how scared he had been , not generally but of that very thing his imagination had conjured , till it was all over " [ 320 ] ...
... course , Marlow ) , he has a capacity to fill out imaginatively the scenic possibilities ( " he did not know how scared he had been , not generally but of that very thing his imagination had conjured , till it was all over " [ 320 ] ...
Pagina 76
... course of events . Marlow , in fact , is moved by the spectacle of Powell's struggle for understanding to give us one of his more notable meditations on experience and narrative : " The surprise , it is easy to understand , would arise ...
... course of events . Marlow , in fact , is moved by the spectacle of Powell's struggle for understanding to give us one of his more notable meditations on experience and narrative : " The surprise , it is easy to understand , would arise ...
Inhoudsopgave
Narrative Reflexivity and Constitutive Poetics | 1 |
Conrad Early Modernism and the Narrators | 66 |
FOUR | 122 |
Copyright | |
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apparent argues assumptions attempt becomes begins chance chapter characters codes coherence comes concept constitutive conventions course critical cultural depends desire discourse economic effect effort elements example existence expectations experience fact feels fiction figure final force Fowles frame function ground hand Hence human identity imagination individual interest interpretation issues Jeremiah kind language least less light limits lines literary living look mark Marlow material matter means Metafiction metaphor metaphysical moral narrative narrator narrator's nature novel object passage perhaps play plot poetics position possible Powell question reader reading reality reference reflect reflexive relation rhetorical role romantic seeks seems seen semiotic sense shape social stance story structure suggests tells textual theory things tion traditional truth turns University Press voice writing