The Politics of Reflexivity: Narrative and the Constitutive Poetics of CultureJohns Hopkins University Press, 1986 - 271 pagina's |
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Pagina 27
... course , is more compli- cated than that , as is the fiction of both Defoe and Richardson . But in its effort to deal with the sweep of middle - class existence in midcentury England , the novel does through irony mark the anxiety over ...
... course , is more compli- cated than that , as is the fiction of both Defoe and Richardson . But in its effort to deal with the sweep of middle - class existence in midcentury England , the novel does through irony mark the anxiety over ...
Pagina 75
... course , Marlow ) , he has a capacity to fill out imaginatively the scenic possibilities ( " he did not know how scared he had been , not generally but of that very thing his imagination had conjured , till it was all over " [ 320 ] ...
... course , Marlow ) , he has a capacity to fill out imaginatively the scenic possibilities ( " he did not know how scared he had been , not generally but of that very thing his imagination had conjured , till it was all over " [ 320 ] ...
Pagina 76
... course of events . Marlow , in fact , is moved by the spectacle of Powell's struggle for understanding to give us one of his more notable meditations on experience and narrative : " The surprise , it is easy to understand , would arise ...
... course of events . Marlow , in fact , is moved by the spectacle of Powell's struggle for understanding to give us one of his more notable meditations on experience and narrative : " The surprise , it is easy to understand , would arise ...
Inhoudsopgave
Narrative Reflexivity and Constitutive Poetics | 1 |
Conrad Early Modernism and the Narrators | 66 |
FOUR | 122 |
Copyright | |
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Amelia Angela Carter argues assumptions authentic Barral Becky becomes chance chapter characters codes coherence concept Conrad consciousness conventions course cultural discourse economic elements epigraphs example existentialist experience fact feels fiction figure final Flora Fowles Fowles's frame French Lieutenant's Woman function Fyne ground Hence human ideological illusion imagination implications individual interpretation intertextual irony Jeremiah John Fowles language lines literary logocentric Lord Jim Marlow material means Metafiction metaphor metaphysical moral narrative narrator narrator's nature Nietzsche Nietzschean Nouveau Roman novel novelist omniscient paradigm passage perhaps philosophical play plot possible Powell Rabbit reader reading reality reflexive relation rhetorical Robert Penn Warren role romantic seems selfhood semiotic sense sexual shape social stance story structure stylized suggests tells textual Thackeray Thackeray's theme theory things tion tive traditional truth University Press Vanity Fair Victorian voice Wayne Booth words writing