The Politics of Reflexivity: Narrative and the Constitutive Poetics of CultureJohns Hopkins University Press, 1986 - 271 pagina's |
Vanuit het boek
Resultaten 1-3 van 84
Pagina 98
... cultural order is a linear clarity imposed arbitrarily on nonlinear exper- ience . Hence narrative , or any other version of cultural discourse , cannot bring the noncultural within the cultural margins : they are too straight and ...
... cultural order is a linear clarity imposed arbitrarily on nonlinear exper- ience . Hence narrative , or any other version of cultural discourse , cannot bring the noncultural within the cultural margins : they are too straight and ...
Pagina 100
... cultural margins of order and plunging despairingly into a " void " imagined to exist beyond those margins . Each , rather , is a variation upon the same fiction posited where Marlow would have remained suspended about such questions ...
... cultural margins of order and plunging despairingly into a " void " imagined to exist beyond those margins . Each , rather , is a variation upon the same fiction posited where Marlow would have remained suspended about such questions ...
Pagina 225
... cultural conventions that define both narrative and the construct we call " reality . " The poetics of both are constitutive , thus deriving from cultural assumptions about positing the nature and grounds of what shall pass as coherent ...
... cultural conventions that define both narrative and the construct we call " reality . " The poetics of both are constitutive , thus deriving from cultural assumptions about positing the nature and grounds of what shall pass as coherent ...
Inhoudsopgave
Narrative Reflexivity and Constitutive Poetics | 1 |
Conrad Early Modernism and the Narrators | 66 |
FOUR | 122 |
Copyright | |
3 andere gedeelten niet getoond
Veelvoorkomende woorden en zinsdelen
apparent argues assumptions attempt becomes begins chance chapter characters codes coherence comes concept constitutive conventions course critical cultural depends desire discourse economic effect effort elements example existence expectations experience fact feels fiction figure final force Fowles frame function ground hand Hence human identity imagination individual interest interpretation issues Jeremiah kind language least less light limits lines literary living look mark Marlow material matter means Metafiction metaphor metaphysical moral narrative narrator narrator's nature novel object passage perhaps play plot poetics position possible Powell question reader reading reality reference reflect reflexive relation rhetorical role romantic seeks seems seen semiotic sense shape social stance story structure suggests tells textual theory things tion traditional truth turns University Press voice writing