The Politics of Reflexivity: Narrative and the Constitutive Poetics of CultureJohns Hopkins University Press, 1986 - 271 pagina's |
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Pagina 32
... death of a thor- oughly demystified human temporality that , in the course of the novel , claim Steyne . Though this seems to be the soul of realism itself , the very provision of the details of his death is not demanded by an objec ...
... death of a thor- oughly demystified human temporality that , in the course of the novel , claim Steyne . Though this seems to be the soul of realism itself , the very provision of the details of his death is not demanded by an objec ...
Pagina 61
... ( death is not really murder , it is much needed " sleep " ) and yet also to slip in a utopian political ideal , the nonhierarchical model of cameraderie ( " Donald he has promised to stand by the plank " ) that would eliminate such ex ...
... ( death is not really murder , it is much needed " sleep " ) and yet also to slip in a utopian political ideal , the nonhierarchical model of cameraderie ( " Donald he has promised to stand by the plank " ) that would eliminate such ex ...
Pagina 154
... death , attachment and death wish - the psychology of early childhood locks Rabbit in , affecting all his relations . It is no wonder that this woman whose criticisms are " somehow too powerful , at least with him ” ( 16 ) should leave ...
... death , attachment and death wish - the psychology of early childhood locks Rabbit in , affecting all his relations . It is no wonder that this woman whose criticisms are " somehow too powerful , at least with him ” ( 16 ) should leave ...
Inhoudsopgave
Narrative Reflexivity and Constitutive Poetics | 1 |
Conrad Early Modernism and the Narrators | 66 |
FOUR | 122 |
Copyright | |
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Veelvoorkomende woorden en zinsdelen
Amelia Angela Carter argues assumptions authentic Barral Becky becomes chance chapter characters codes coherence concept Conrad consciousness conventions course cultural discourse economic elements epigraphs example existentialist experience fact feels fiction figure final Flora Fowles Fowles's frame French Lieutenant's Woman function Fyne ground Hence human ideological illusion imagination implications individual interpretation intertextual irony Jeremiah John Fowles language lines literary logocentric Lord Jim Marlow material means Metafiction metaphor metaphysical moral narrative narrator narrator's nature Nietzsche Nietzschean Nouveau Roman novel novelist omniscient paradigm passage perhaps philosophical play plot possible Powell Rabbit reader reading reality reflexive relation rhetorical Robert Penn Warren role romantic seems selfhood semiotic sense sexual shape social stance story structure stylized suggests tells textual Thackeray Thackeray's theme theory things tion tive traditional truth University Press Vanity Fair Victorian voice Wayne Booth words writing