The Politics of Reflexivity: Narrative and the Constitutive Poetics of CultureJohns Hopkins University Press, 1986 - 271 pagina's |
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Pagina 32
... death of a thor- oughly demystified human temporality that , in the course of the novel , claim Steyne . Though this seems to be the soul of realism itself , the very provision of the details of his death is not demanded by an objec ...
... death of a thor- oughly demystified human temporality that , in the course of the novel , claim Steyne . Though this seems to be the soul of realism itself , the very provision of the details of his death is not demanded by an objec ...
Pagina 61
... ( death is not really murder , it is much needed " sleep " ) and yet also to slip in a utopian political ideal , the nonhierarchical model of cameraderie ( " Donald he has promised to stand by the plank " ) that would eliminate such ex ...
... ( death is not really murder , it is much needed " sleep " ) and yet also to slip in a utopian political ideal , the nonhierarchical model of cameraderie ( " Donald he has promised to stand by the plank " ) that would eliminate such ex ...
Pagina 154
... death , attachment and death wish - the psychology of early childhood locks Rabbit in , affecting all his relations . It is no wonder that this woman whose criticisms are " somehow too powerful , at least with him ” ( 16 ) should leave ...
... death , attachment and death wish - the psychology of early childhood locks Rabbit in , affecting all his relations . It is no wonder that this woman whose criticisms are " somehow too powerful , at least with him ” ( 16 ) should leave ...
Inhoudsopgave
Narrative Reflexivity and Constitutive Poetics | 1 |
Conrad Early Modernism and the Narrators | 66 |
FOUR | 122 |
Copyright | |
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apparent argues assumptions attempt becomes begins chance chapter characters codes coherence comes concept constitutive conventions course critical cultural depends desire discourse economic effect effort elements example existence expectations experience fact feels fiction figure final force Fowles frame function ground hand Hence human identity imagination individual interest interpretation issues Jeremiah kind language least less light limits lines literary living look mark Marlow material matter means Metafiction metaphor metaphysical moral narrative narrator narrator's nature novel object passage perhaps play plot poetics position possible Powell question reader reading reality reference reflect reflexive relation rhetorical role romantic seeks seems seen semiotic sense shape social stance story structure suggests tells textual theory things tion traditional truth turns University Press voice writing