The Politics of Reflexivity: Narrative and the Constitutive Poetics of CultureJohns Hopkins University Press, 1986 - 271 pagina's |
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Pagina 9
... depends for its existence on the constitutive activity of this sign , characterizes the work of literature in its essence . It is always against the explicit assertion of the writer that readers degrade the fiction by confusing it with ...
... depends for its existence on the constitutive activity of this sign , characterizes the work of literature in its essence . It is always against the explicit assertion of the writer that readers degrade the fiction by confusing it with ...
Pagina 19
... depends upon irony to make the reader feel he or she imposes upon the material the norms by which it is to be judged . The nod of assent or smile of perception is the first step beyond passive acceptance of dominant narrative or social ...
... depends upon irony to make the reader feel he or she imposes upon the material the norms by which it is to be judged . The nod of assent or smile of perception is the first step beyond passive acceptance of dominant narrative or social ...
Pagina 86
... depends on the faithful discharge of their trust by all the ship's company . " Because " its exactions are simple and cannot be evaded or argued away , " Marlow argues that " there is no room for that diversity of judgment which is the ...
... depends on the faithful discharge of their trust by all the ship's company . " Because " its exactions are simple and cannot be evaded or argued away , " Marlow argues that " there is no room for that diversity of judgment which is the ...
Inhoudsopgave
Narrative Reflexivity and Constitutive Poetics | 1 |
Conrad Early Modernism and the Narrators | 66 |
FOUR | 122 |
Copyright | |
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apparent argues assumptions attempt becomes begins chance chapter characters codes coherence comes concept constitutive conventions course critical cultural depends desire discourse economic effect effort elements example existence expectations experience fact feels fiction figure final force Fowles frame function ground hand Hence human identity imagination individual interest interpretation issues Jeremiah kind language least less light limits lines literary living look mark Marlow material matter means Metafiction metaphor metaphysical moral narrative narrator narrator's nature novel object passage perhaps play plot poetics position possible Powell question reader reading reality reference reflect reflexive relation rhetorical role romantic seeks seems seen semiotic sense shape social stance story structure suggests tells textual theory things tion traditional truth turns University Press voice writing