The Politics of Reflexivity: Narrative and the Constitutive Poetics of CultureJohns Hopkins University Press, 1986 - 271 pagina's |
Vanuit het boek
Resultaten 1-3 van 35
Pagina 33
... desire ? or having it , is satisfied ? " The line has pessimistic implications for realistic narrative's aims , to say the least . The desire of Dobbin for his Amelia , the desire of readers for their comforting illusions , the desire ...
... desire ? or having it , is satisfied ? " The line has pessimistic implications for realistic narrative's aims , to say the least . The desire of Dobbin for his Amelia , the desire of readers for their comforting illusions , the desire ...
Pagina 34
... desires for happy plenitude are aligned as shadows of each other cast by the textual candles , and they must include that desire of realism for the perfect copy of reality . For in the fulfillment of a desire , we discover only its ...
... desires for happy plenitude are aligned as shadows of each other cast by the textual candles , and they must include that desire of realism for the perfect copy of reality . For in the fulfillment of a desire , we discover only its ...
Pagina 117
... desire for more than the domestic is " false , " which suggests one thing , and " impossible , " which suggests quite another . That is , an " impossible " desire is one that is true but unattainable , and it points to something missing ...
... desire for more than the domestic is " false , " which suggests one thing , and " impossible , " which suggests quite another . That is , an " impossible " desire is one that is true but unattainable , and it points to something missing ...
Inhoudsopgave
Narrative Reflexivity and Constitutive Poetics | 1 |
Conrad Early Modernism and the Narrators | 66 |
FOUR | 122 |
Copyright | |
3 andere gedeelten niet getoond
Veelvoorkomende woorden en zinsdelen
apparent argues assumptions attempt becomes begins chance chapter characters codes coherence comes concept constitutive conventions course critical cultural depends desire discourse economic effect effort elements example existence expectations experience fact feels fiction figure final force Fowles frame function ground hand Hence human identity imagination individual interest interpretation issues Jeremiah kind language least less light limits lines literary living look mark Marlow material matter means Metafiction metaphor metaphysical moral narrative narrator narrator's nature novel object passage perhaps play plot poetics position possible Powell question reader reading reality reference reflect reflexive relation rhetorical role romantic seeks seems seen semiotic sense shape social stance story structure suggests tells textual theory things tion traditional truth turns University Press voice writing