The Politics of Reflexivity: Narrative and the Constitutive Poetics of CultureJohns Hopkins University Press, 1986 - 271 pagina's |
Vanuit het boek
Resultaten 1-3 van 56
Pagina 182
... Discourse ( in " To Love Love " ) . 14 It is the " Image repertoire " - " the discursive site " and its images , forms , and structures — that one loves or mourns rather than the “ other , ” who is largely the " tool " of the subject's ...
... Discourse ( in " To Love Love " ) . 14 It is the " Image repertoire " - " the discursive site " and its images , forms , and structures — that one loves or mourns rather than the “ other , ” who is largely the " tool " of the subject's ...
Pagina 203
... discourse is not in a position to free his subjects , that he himself be- comes a function of his text , swinging in and out of the novel , back and forth from twentieth - century detached impressario ( chap . 61 ) to in- volved but ...
... discourse is not in a position to free his subjects , that he himself be- comes a function of his text , swinging in and out of the novel , back and forth from twentieth - century detached impressario ( chap . 61 ) to in- volved but ...
Pagina 226
... discourse is normally assumed not to complicate its neutral and objective description of reality ) , and finally ... discourse that could indeed com- mand the field - that could , in fact , accurately reproduce the essence of its subject ...
... discourse is normally assumed not to complicate its neutral and objective description of reality ) , and finally ... discourse that could indeed com- mand the field - that could , in fact , accurately reproduce the essence of its subject ...
Inhoudsopgave
Narrative Reflexivity and Constitutive Poetics | 1 |
Conrad Early Modernism and the Narrators | 66 |
FOUR | 122 |
Copyright | |
3 andere gedeelten niet getoond
Veelvoorkomende woorden en zinsdelen
apparent argues assumptions attempt becomes begins chance chapter characters codes coherence comes concept constitutive conventions course critical cultural depends desire discourse economic effect effort elements example existence expectations experience fact feels fiction figure final force Fowles frame function ground hand Hence human identity imagination individual interest interpretation issues Jeremiah kind language least less light limits lines literary living look mark Marlow material matter means Metafiction metaphor metaphysical moral narrative narrator narrator's nature novel object passage perhaps play plot poetics position possible Powell question reader reading reality reference reflect reflexive relation rhetorical role romantic seeks seems seen semiotic sense shape social stance story structure suggests tells textual theory things tion traditional truth turns University Press voice writing