The Politics of Reflexivity: Narrative and the Constitutive Poetics of CultureJohns Hopkins University Press, 1986 - 271 pagina's |
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Pagina 105
... economic order as it- self a dominant protonarrative . As such , it affects the metaphysical components we have traced in Conrad ; selfhood becomes a product the individual must manufacture , nature is a force or object to be under ...
... economic order as it- self a dominant protonarrative . As such , it affects the metaphysical components we have traced in Conrad ; selfhood becomes a product the individual must manufacture , nature is a force or object to be under ...
Pagina 106
... economic reasons . Their equal fas- cination with the content of the story is a function of the similarity in their positioning on the tenuously empowered margins of the economic structure ( that is , their " power " depends upon pure ...
... economic reasons . Their equal fas- cination with the content of the story is a function of the similarity in their positioning on the tenuously empowered margins of the economic structure ( that is , their " power " depends upon pure ...
Pagina 108
... economic self - interest , as an antidote , in fact , to the spinsterhood that Flora's economic disgrace and lack of dowry might impose and to the bachelorhood that professional seaman- ship imposes upon Anthony and Marlow . It consists ...
... economic self - interest , as an antidote , in fact , to the spinsterhood that Flora's economic disgrace and lack of dowry might impose and to the bachelorhood that professional seaman- ship imposes upon Anthony and Marlow . It consists ...
Inhoudsopgave
Narrative Reflexivity and Constitutive Poetics | 1 |
Conrad Early Modernism and the Narrators | 66 |
FOUR | 122 |
Copyright | |
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apparent argues assumptions attempt becomes begins chance chapter characters codes coherence comes concept constitutive conventions course critical cultural depends desire discourse economic effect effort elements example existence expectations experience fact feels fiction figure final force Fowles frame function ground hand Hence human identity imagination individual interest interpretation issues Jeremiah kind language least less light limits lines literary living look mark Marlow material matter means Metafiction metaphor metaphysical moral narrative narrator narrator's nature novel object passage perhaps play plot poetics position possible Powell question reader reading reality reference reflect reflexive relation rhetorical role romantic seeks seems seen semiotic sense shape social stance story structure suggests tells textual theory things tion traditional truth turns University Press voice writing