The Politics of Reflexivity: Narrative and the Constitutive Poetics of CultureJohns Hopkins University Press, 1986 - 271 pagina's |
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Pagina 56
... effect , asking us to compare the conventions of sentimental romance and moralistic cen- sorship undermines the stature of each code's implicit assumptions . We might easily take censorship as the norm of cultural discourse - it ...
... effect , asking us to compare the conventions of sentimental romance and moralistic cen- sorship undermines the stature of each code's implicit assumptions . We might easily take censorship as the norm of cultural discourse - it ...
Pagina 136
... effect , is that this founding of self along the textual lines of a romantic or Platonic tradition should be thought " strange . " Rachel recognizes that Jeremiah has " read too many books " ( 218 ) and hence is a sort of intertextual ...
... effect , is that this founding of self along the textual lines of a romantic or Platonic tradition should be thought " strange . " Rachel recognizes that Jeremiah has " read too many books " ( 218 ) and hence is a sort of intertextual ...
Pagina 193
... effect ; for positive all - explaining theories , carefully studied and studiously applied " ( 197 ) . At first glance the passage is straightforward explanation of why Charles is perplexed once the " positive all - explaining " theory ...
... effect ; for positive all - explaining theories , carefully studied and studiously applied " ( 197 ) . At first glance the passage is straightforward explanation of why Charles is perplexed once the " positive all - explaining " theory ...
Inhoudsopgave
Narrative Reflexivity and Constitutive Poetics | 1 |
Conrad Early Modernism and the Narrators | 66 |
FOUR | 122 |
Copyright | |
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apparent argues assumptions attempt becomes begins chance chapter characters codes coherence comes concept constitutive conventions course critical cultural depends desire discourse economic effect effort elements example existence expectations experience fact feels fiction figure final force Fowles frame function ground hand Hence human identity imagination individual interest interpretation issues Jeremiah kind language least less light limits lines literary living look mark Marlow material matter means Metafiction metaphor metaphysical moral narrative narrator narrator's nature novel object passage perhaps play plot poetics position possible Powell question reader reading reality reference reflect reflexive relation rhetorical role romantic seeks seems seen semiotic sense shape social stance story structure suggests tells textual theory things tion traditional truth turns University Press voice writing