The Politics of Reflexivity: Narrative and the Constitutive Poetics of CultureJohns Hopkins University Press, 1986 - 271 pagina's |
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Pagina 192
... elements in the historical process that we found implicit in Fowles's essays and com- ments - the author is the geographical space and temporal moment in which numerous more or less conventional elements converge in practice . As the ...
... elements in the historical process that we found implicit in Fowles's essays and com- ments - the author is the geographical space and temporal moment in which numerous more or less conventional elements converge in practice . As the ...
Pagina 228
... elements in a para- digm within which the critic views literary and other cultural endeavors . These principles are the boundaries and connecting lines he draws upon the landscape of literature ; hence he might well term his own methods ...
... elements in a para- digm within which the critic views literary and other cultural endeavors . These principles are the boundaries and connecting lines he draws upon the landscape of literature ; hence he might well term his own methods ...
Pagina 244
... elements may be re- constituted and resituated within the field they appear to dominate . It may well be difficult to resituate those elements without existing orders ' reassimilating them or gradually reclaiming the vision of the would ...
... elements may be re- constituted and resituated within the field they appear to dominate . It may well be difficult to resituate those elements without existing orders ' reassimilating them or gradually reclaiming the vision of the would ...
Inhoudsopgave
Narrative Reflexivity and Constitutive Poetics | 1 |
Conrad Early Modernism and the Narrators | 66 |
FOUR | 122 |
Copyright | |
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apparent argues assumptions attempt becomes begins chance chapter characters codes coherence comes concept constitutive conventions course critical cultural depends desire discourse economic effect effort elements example existence expectations experience fact feels fiction figure final force Fowles frame function ground hand Hence human identity imagination individual interest interpretation issues Jeremiah kind language least less light limits lines literary living look mark Marlow material matter means Metafiction metaphor metaphysical moral narrative narrator narrator's nature novel object passage perhaps play plot poetics position possible Powell question reader reading reality reference reflect reflexive relation rhetorical role romantic seeks seems seen semiotic sense shape social stance story structure suggests tells textual theory things tion traditional truth turns University Press voice writing