The Politics of Reflexivity: Narrative and the Constitutive Poetics of CultureJohns Hopkins University Press, 1986 - 271 pagina's |
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Pagina 187
... epigraphs range from a passage in Jane Austen's Persuasion describing the Undercliff to Leslie Stephen's remarks ... epigraphs seem to have drawn from author to reader , a line that somehow manages to lead us past the very obvious way ...
... epigraphs range from a passage in Jane Austen's Persuasion describing the Undercliff to Leslie Stephen's remarks ... epigraphs seem to have drawn from author to reader , a line that somehow manages to lead us past the very obvious way ...
Pagina 188
... epigraph , at least , works against the conventional expectations . Epigraphs thus have a decidedly mixed relation to the chapters they head - often , as we have seen , they are guides to them , but they also serve as specifically ...
... epigraph , at least , works against the conventional expectations . Epigraphs thus have a decidedly mixed relation to the chapters they head - often , as we have seen , they are guides to them , but they also serve as specifically ...
Pagina 192
... epigraphs are not useful in interpretation , but the justification of their usefulness needs to reflect what the epigraphs themselves suggest about their limitations and what a less mystified sense of " author " implies . " Authorial ...
... epigraphs are not useful in interpretation , but the justification of their usefulness needs to reflect what the epigraphs themselves suggest about their limitations and what a less mystified sense of " author " implies . " Authorial ...
Inhoudsopgave
Narrative Reflexivity and Constitutive Poetics | 1 |
Conrad Early Modernism and the Narrators | 66 |
FOUR | 122 |
Copyright | |
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apparent argues assumptions attempt becomes begins chance chapter characters codes coherence comes concept constitutive conventions course critical cultural depends desire discourse economic effect effort elements example existence expectations experience fact feels fiction figure final force Fowles frame function ground hand Hence human identity imagination individual interest interpretation issues Jeremiah kind language least less light limits lines literary living look mark Marlow material matter means Metafiction metaphor metaphysical moral narrative narrator narrator's nature novel object passage perhaps play plot poetics position possible Powell question reader reading reality reference reflect reflexive relation rhetorical role romantic seeks seems seen semiotic sense shape social stance story structure suggests tells textual theory things tion traditional truth turns University Press voice writing