The Politics of Reflexivity: Narrative and the Constitutive Poetics of CultureJohns Hopkins University Press, 1986 - 271 pagina's |
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Pagina 47
... everything and complains of losing " my Helen , " " a very pleasing and witty fashionable , the brilliant and exclu- sive Mrs. Rawdon Crawley " ( 2 : 168 ; 49 ) . The inflated style effectively diminishes Becky ( hardly as worthy as ...
... everything and complains of losing " my Helen , " " a very pleasing and witty fashionable , the brilliant and exclu- sive Mrs. Rawdon Crawley " ( 2 : 168 ; 49 ) . The inflated style effectively diminishes Becky ( hardly as worthy as ...
Pagina 48
... everything ” and as if we did not also know “ a great deal besides , " as if we did not always add " a great deal more " to any account- ing we make of the experiences we interpret . The real reason we should be relatively untroubled ...
... everything ” and as if we did not also know “ a great deal besides , " as if we did not always add " a great deal more " to any account- ing we make of the experiences we interpret . The real reason we should be relatively untroubled ...
Pagina 56
... everything " ( 1:29 ; 3 ) , a phrase that certainly has the effect of setting Becky's campaign for the nabob into the diminishing frame of narrative comedy . " The novel- ist , who knows everything , " can expose Becky's scheming by ...
... everything " ( 1:29 ; 3 ) , a phrase that certainly has the effect of setting Becky's campaign for the nabob into the diminishing frame of narrative comedy . " The novel- ist , who knows everything , " can expose Becky's scheming by ...
Inhoudsopgave
Narrative Reflexivity and Constitutive Poetics | 1 |
Conrad Early Modernism and the Narrators | 66 |
FOUR | 122 |
Copyright | |
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Amelia Angela Carter argues assumptions authentic Barral Becky becomes chance chapter characters codes coherence concept Conrad consciousness conventions course cultural discourse economic elements epigraphs example existentialist experience fact feels fiction figure final Flora Fowles Fowles's frame French Lieutenant's Woman function Fyne ground Hence human ideological illusion imagination implications individual interpretation intertextual irony Jeremiah John Fowles language lines literary logocentric Lord Jim Marlow material means Metafiction metaphor metaphysical moral narrative narrator narrator's nature Nietzsche Nietzschean Nouveau Roman novel novelist omniscient paradigm passage perhaps philosophical play plot possible Powell Rabbit reader reading reality reflexive relation rhetorical Robert Penn Warren role romantic seems selfhood semiotic sense sexual shape social stance story structure stylized suggests tells textual Thackeray Thackeray's theme theory things tion tive traditional truth University Press Vanity Fair Victorian voice Wayne Booth words writing