The Politics of Reflexivity: Narrative and the Constitutive Poetics of CultureJohns Hopkins University Press, 1986 - 271 pagina's |
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Pagina 4
... everywhere in narrative , in all periods and forms , sometimes explicit and sometimes implicit , always revealing the conceptual puddle over which fiction gallantly casts its narrative cloak so we can cross untroubled by the fluidity of ...
... everywhere in narrative , in all periods and forms , sometimes explicit and sometimes implicit , always revealing the conceptual puddle over which fiction gallantly casts its narrative cloak so we can cross untroubled by the fluidity of ...
Pagina 105
... everywhere at work . It is to be found , for example , in the aesthetic drive to reify every element within a novel's expanse into a unit productive of a single thematic end , making the novel a machine in which every part derives its ...
... everywhere at work . It is to be found , for example , in the aesthetic drive to reify every element within a novel's expanse into a unit productive of a single thematic end , making the novel a machine in which every part derives its ...
Pagina 172
... the self - portrait . Everywhere the artist sees himself as in a mirror ” ( 194 ) . But , one might add , since that self is not an " absolute entity " but the " 172 Fowles , Contemporary Fiction , and the Poetics of the Author.
... the self - portrait . Everywhere the artist sees himself as in a mirror ” ( 194 ) . But , one might add , since that self is not an " absolute entity " but the " 172 Fowles , Contemporary Fiction , and the Poetics of the Author.
Inhoudsopgave
Narrative Reflexivity and Constitutive Poetics | 1 |
Conrad Early Modernism and the Narrators | 66 |
FOUR | 122 |
Copyright | |
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apparent argues assumptions attempt becomes begins chance chapter characters codes coherence comes concept constitutive conventions course critical cultural depends desire discourse economic effect effort elements example existence expectations experience fact feels fiction figure final force Fowles frame function ground hand Hence human identity imagination individual interest interpretation issues Jeremiah kind language least less light limits lines literary living look mark Marlow material matter means Metafiction metaphor metaphysical moral narrative narrator narrator's nature novel object passage perhaps play plot poetics position possible Powell question reader reading reality reference reflect reflexive relation rhetorical role romantic seeks seems seen semiotic sense shape social stance story structure suggests tells textual theory things tion traditional truth turns University Press voice writing