The Politics of Reflexivity: Narrative and the Constitutive Poetics of CultureJohns Hopkins University Press, 1986 - 271 pagina's |
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Pagina 3
... example , the use of " self - reflective " ( or " -reflexive " ) is akin to " self - conscious " and clearly depends upon metaphors of selfhood and consciousness that seem confusing and misleading when we are talking about a text rather ...
... example , the use of " self - reflective " ( or " -reflexive " ) is akin to " self - conscious " and clearly depends upon metaphors of selfhood and consciousness that seem confusing and misleading when we are talking about a text rather ...
Pagina 30
... example , is not a single unified identity but a complex of discordant intertextual strains signaled by conflicting claims about his grounds of narration , conflict- ing facts about his " personal identity , " and conflicting stylistic ...
... example , is not a single unified identity but a complex of discordant intertextual strains signaled by conflicting claims about his grounds of narration , conflict- ing facts about his " personal identity , " and conflicting stylistic ...
Pagina 128
... example , he stops to note that the " language Jeremiah used long after in writing of that period echoes the language of the theological tract and the pulpit " ( 24 ) . The romance element he found not only in novels but in Pilgrim's ...
... example , he stops to note that the " language Jeremiah used long after in writing of that period echoes the language of the theological tract and the pulpit " ( 24 ) . The romance element he found not only in novels but in Pilgrim's ...
Inhoudsopgave
Narrative Reflexivity and Constitutive Poetics | 1 |
Conrad Early Modernism and the Narrators | 66 |
FOUR | 122 |
Copyright | |
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apparent argues assumptions attempt becomes begins chance chapter characters codes coherence comes concept constitutive conventions course critical cultural depends desire discourse economic effect effort elements example existence expectations experience fact feels fiction figure final force Fowles frame function ground hand Hence human identity imagination individual interest interpretation issues Jeremiah kind language least less light limits lines literary living look mark Marlow material matter means Metafiction metaphor metaphysical moral narrative narrator narrator's nature novel object passage perhaps play plot poetics position possible Powell question reader reading reality reference reflect reflexive relation rhetorical role romantic seeks seems seen semiotic sense shape social stance story structure suggests tells textual theory things tion traditional truth turns University Press voice writing